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Saul Zonana

 
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September 2002 Rock Pop Alternative
Written by Joe Hartlaub   




Staff Rating
9.0
out of 10
Reviews
Artist: Saul Zonana
Title: Guinea Pigs
Label: 20/20 Records
When record execs sit around a table and decide how they're going to release a CD, they're going to be laboring under a conundrum. There is an element of conventional wisdom that says that an artist need to put all of their good tracks in the front of the CD because the average listener only listens to the first 20 minutes or so, and then goes onto other pursuits. There is another element of conventional wisdom, however, that holds that if a CD isn't at least 40 minutes long, the buyer feels ripped off. If the first is true, how do they notice the second, I ask you? GUINEA PIGS, the latest CD by Saul Zonana, solves at least one of those problems.  Zonana puts all of his good tracks up front. All 10 of them, on a 10 track CD.

I don't know much about Zonana at all. I was having trouble getting his website to load, either as a result of my crappy web provider or my crappy computer, I'm not sure which. All I know about him is that 1) he's released other CDs; 2) he is opening for Southside Johnny in October somewhere in Connecticut (and THAT would be a show worth driving to!); and 3) he is an absolute, bonafide master at writing deceptively simple power pop tunes. At just under 33 minutes, GUINEA PIGS leaves you begging for more, but that's what the replay button is for. You'll use it on this one, I guarantee.

Zonana is from the Adam Schmitt / Michael Penn school of pop song composition. Nice little power chord changeups, accessible vocals, and arrangements that leave the kitchen sink out but have nice little additions here and there that are more lagniappe than overfilling gourmet desserts. And his lyrics...they don't stray into Tom Waits/Johnny Dowd territory by any means, but Zonana still has an interesting take on things. "Bette," which has been released as a single, is about an, uh, inflatable doll that is the singer's rebound punch. There are also songs about death ("I'm Not Afraid to Die,"  "Joel's Song") alienation ("Riled") and, ultimately, hope ("So Much Better"). Zonana is such a skilled tunesmith, however, that when his music strays into dark territory, as it so frequently does, it often gets by the listener, who is caught up in poppy guitar hooks and changeups. The relative simplicity of the arrangements, occasioned by the lineup --- guitars, bass, drums and keyboards --- often obscures what's going on lyrically. At least at first. This guy is deep. And occasionally scary.

Add Zonana's current obscurity to the long list of symptoms of what is wrong with the music industry. Any one of the 10 tracks on GUINEA PIGS would, and should, be all over your radio in a perfect world.

Saul Zonana -- Guinea Pigs
Official Artist Website: http://saulzonana.com

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0 of 0 people found the following review helpful

Saul Zonana Brings It!, Tuesday, 11 March 2008

Written by Mark Selkirk

I managed to see Saul Zonana four times last year: my intention was to see the Adrian Belew Power Trio, with whom Saul tours frequently, but I was thrilled to hear this guy (who I thought was just Adran's sound man!) crack it open!

I'm old enough not to be called "jaded" very often, but if that label were to fit me, it would be with regards to Saul Zonana. This guy's music is always spot-on. He's a technically adept guitarist -played bass with Paul Stanley's post-Kiss band, and was a guitarist in the first American band to play Red Square back in the 80s, when his hair was even less manageable than it is today. So he's paid his dues.

But what really impresses me about Saul is his songwriting. This guy can make the most artistically tasteful MUSIC out of the most unlikely topics! "Bette," the lead track on Guinea Pigs, is a song about an inflatable sex doll, that's covered from an unlikely perspective: "and truly Bette/ helps me get you off my mind..." Hang on a sec! This is a breakup song! The rest of the cd gets even better, with stirring lyrics and infectious grooves that set even the most unwilling hips to swaying.

Saul refuses to "sell out": possessing more than ample talent to make it huge in the music industry, he has chosen the high road, playing small clubs for an audience with as high a ratio of musician to non-musician as bands like Rush or Dream Theater. Simply put, Saul Zonana BRINGS IT. If you dig music for ART'S sake, you need this album.
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