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There are certainly likenesses stemming from this kind of music, to one Kenny G. "Night Sessions," a soothing instrumental-led movement that employs dignity with grace and finesse for a record that was seemingly completed in the perfect atmosphere where the many illuminative moments occurred in the hills, after dark, at peace and at home.
Now I never knew that Sting's son was a Jazz-playing soloist… and in fact he's not but the likeness here is uncanny. In fact Botti is the featured soloist in Sting's band. "Night Sessions" developed in a break in the "Brand New Day" tour and lies at the root of responsibility for those many earthy and sensuous overtones that lay at the heart of the 'Sting sound'.

Botti, fluid and multi-dimensional, is not only satisfied to stay safely within the calming quiet of soft Jazz or light Rock, in fact employing a few Funky elements to accentuate a song like "Streets Ahead," obviously without Bronson St. in mind, or so I would assume.

Featuring a multitude of guest musicians and occasional vocal accompaniment as with Shawn Colvin's unmistakable entry on the Sting-penned piece "All Would Envy," enhanced by smooth backing harmonies and guitar interludes. On "You Move Me," slightly more dynamic at the onset, Kipper's keyboard effects lend a slightly electric and lucid quality to another of the soft sensual variety led by the beautiful female vocals of Camilla.

It's hard to imagine such a work, insightful, emotionally stirring, and uplifting, could have progressed in such a short time span as this, yet that's the case -- barely three months into the process and "Night Sessions" was born. The results are nothing short of dazzling.

Displaying music both organic and yet spiritually believable, Botti, veteran for many a big name performer on stage and in the studio, shines brightly on his own for the fourth time with "Night Sessions."