AMZ - November, 1998 - Motley Crue
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Vol 2 Number 12

  November, 1998

 
 

     
 

   
Artist: Motley Crue
Title: "Greatest Hits"
Label: Beyond Music
Reviewed By: Vinnie Apicella
Rating:
   

Most of this record contains only later songs, from during the "Girls, Girls, Girls" and "Dr. Feelgood" era, and throw in "Home Sweet Home" - those of which were left off the original "best of" some time around '91. Add in two of the "hits" from their comeback "Generation Swine" as well, "Glitter" and "Afraid," and delete anything that even closely resembles their self-titled failure without Vince Neil, and you've got "Greatest Hits." It's difficult to gauge this new release, because fans that liked the band before will have no problem buying this disc, and fans that didn't probably won't. So for the sake of trying to build up a buzz to attract new listeners, we'll direct our attention to the two new tracks they included. With any luck, either or both, which do recapture the nature of the 'Crue long past, as well as a certain modern texture, will make a dent on commercial radio before long.

The opening track, and first single, "Bitter Pill," gives off the same effect as did "Primal Scream" a few years back. Both songs are heavy and welcome additions to each respective "hits" record. "Bitter Pill" caught me a little off guard. Trying to get used to their musical overhaul that was "Generation Swine" a couple of years ago, I was expecting to be neither impressed or surprised by these new ones, and I can honestly say I was a little of both.

A thunderous guitar riff blazes through the opening prior to Vince going into his oft-maligned wail. Once I got past the first minute or so, the song began to sound much like the Crue I remembered, with their light-hearted chorus, thinning-out what was an otherwise heavy track. The next new one, "Enslaved," took on the style of the last record - more confusing musical effects, but still a sound much in the Crue tradition. Neil sang as if he was trying to sound just like Mark Slaughter. Strangely enough, perhaps I never paralleled their two styles so closely.

I rate the new songs pretty high though, since it seems like the band's somewhat prudently trying to recapture a bit of the ambition and tradition that once made "Motley Crue" one of the most respected rock bands on the planet. If they stick more in that direction they'll be all right I would think.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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