AMZ - November, 1998 - Love & Rockets
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Vol 2 Number 12

  November, 1998

 
 

     
 

   
Artist: Love & Rockets
Title: "Lift"
Label: Red Ant Entertainment
Reviewed By: Vinnie Apicella
Rating:
   

The latest chapter for "Love & Rockets" unfolds in the form of "Lift," and with it, the group propels to new heights. Drawing upon the creative influences they themselves helped to pioneer in the formative days of electronic-based music, "Lift" is a cavalcade of complex features, yet soothingly vibrant and intellectually innovative.

Since lighting up the scene at the close of the last decade, the former Bauhaus members have always declined fashionable mandates for the sake of artistic creativity. Experimentalists to the core, they've continuously broken new ground where Goth-rock and techno are concerned, and "Lift" sees their individuality and growth branch out like never before. Though not quite as daring as their last dramatic "Hot Trip to Heaven" was perceived to be at the time, "Lift" contains enough twists and turns to leave the lap counter at a stock car race in a profuse sweat.

So while their last creation failed to leave any immediate impact with its far-reaching ingenuity, it did leave a lasting impression with subsequent dub-warriors, and can be looked back on as the high-water mark in genre today. With their latest, L&R recruited re-mixologist Doug DeAngelis, who's deftly capable knob tweaking in the production process cannot be praised enough. "Lift" is a technician's dream come true, with all its perpetual sampling and loops, representative of an adventuresome baby dove just learning to spread its wings and soar into the night sky.

Thirteen tracks in all, synthesized in a wall of groove and ambiance, outlined by two different versions of the title track, the first featuring an upbeat club mix, and the last ending off in a dark, surreal contrast. It's true. The "party's not over" for L&R, but more likely the rebirth of a new age of artistic craftsmanship to engulf a brand new horde of followers

 

 

 

 

 

 

 

 

 

 

 

 

 

 

© 1998 by Mary Ellen Gustafson
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