AMZ - November, 1998 - Motorbaby
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Vol 2 Number 12

  November, 1998

 
 

     
 

   
Artist: Motorbaby
Title: "Motorbaby"
Label: Mercury/No Solution
Reviewed By: Donn Jehs
Rating:
   

Imagine Melissa Etheridge not growling, Alanis Morrisette not whining, Blondie making sense and you get an idea of what you get when you put "Motorbaby" in your CD player. This trio, fronted by Sharon Middendorf's vocals and guitar, and backed by Ron Mancuso on bass and Lez Warner on drums, came together on NYC's lower East Side back in 1994. Sharon had already fronted several bands before finding what looks like the right combination.

Sharon says Chrissy Hynde was a major influence, but the album is no pretender, it has brass of its own, and Sharon establishes her own style from the opening cut, "Lose Your Mind." A solid opening bridge leads to Sharon's soft yet forceful vocals. Vocals that are crisp, clear and lyrical is something she does have in common with Chrissy. The refrain will put it's hooks into you.

The songs are short and simple. Sharon is no Bob Dylan, but the music will grab you with it's infectious nature, often mindless wanderings that just slip in the crooks and crannies of your mind, rock candy. Mancuso and Middledorf mixed the album and I was impressed with the tightness of the sound. The guitars and drums were balanced and never overrode the vocals or each other. This is one of the best sounding albums from a technical sense I've heard in a long time.

My favorite cut on the album is "Ultimate Height," with it's haunting opening sequence that screams for your attention. "Slam Train" rides the rails into your brain. Radio friendly "Keep On" is the first single release, a Morisette-sounding tune sure to appeal to fans of her type of music.

I think "Marlene" refers to Marlene Dietrich and it's tag line "the whole world thinks you're a whore" may refer to the sultry style of her singing which Sharon tries to emulate on this song. "Dance" your feet will urge as songs like "Northern Lights" and "Inside Out" pulse through the speakers.

Sharon is able to take her voice soft at a moment's notice from a hard edge, and her nonverbal sounds add to the feel of this album, especially on "Sea of Fire" and "Ultimate Height." One of the best performed songs is "Innocent," each word a razor blade cutting through your complacency.

This is the kind of music we've needed to breath life into a pop world saddled with Spice Girls and Backstreet Boys. Gun the "Motorbaby" let's rock.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

© 1998 by Mary Ellen Gustafson
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