AMZ - November, 1998 - Bruce Dickinson
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Vol 2 Number 12

  November, 1998

 
 

     
 

   
Artist: Bruce Dickinson
Title: "The Chemical Wedding"
Label: CMC International
Reviewed By: Pedro A. Vera-Perez
Rating:
   

Bruce! What happened? All these years, first with "Samson" (back when you were "Bruce Bruce"), then "Iron Maiden," where you rocked like crazy, and then bang! Here comes "Tattooed Millionaire" and you got soft! Incredible. Truth is stranger than fiction.

For some reason that I don't remember, I missed Bruce's second album. Which is not a bad thing after all, since "Chemical Wedding" sounds almost like "Tattooed Millionaire." I am not going to say it sucks, or that it's bad, because it's neither. It's just the same.

"Bruce Dickinson" is blessed with one of the greatest voices in hard rock history. His voice still packs a punch, and makes other heavy metal wannabes sound like sissies. Better yet, he has a REAL heavy metal voice, not like those Mickey Mouse death and speed metal creeps that call themselves singers. No way.

What happened to Bruce is that he does not want to spend the rest of his life as "that guy that was in Iron Maiden" (Paul DiAnno, where are you when we need you?). He tries very hard to create a distinctive sound, which makes it even harder for all of us that grew up listening to "Iron Maiden." Heck, I didn't even know he was in "Samson" until I found a few old CDs on a discount table at Camelot's. The name sounded really familiar, plus they were only a buck apiece. When I got home, one of the songs sounded too much like the "Ides of March" from "Iron Maiden's" "Killers" (1981). Later I found another "Samson" CD with a label that said "featuring Bruce Dickinson from Iron Maiden." Well, that settled it.

Bruce's current style is a smoother version of what he did in "Samson," tuned up a little bit for the '90s. It really sounds like a semi-commercial "Iron Maiden," without the signature base guitar of Steve Harris. The rest sounds just the same.

Like I said above, I cannot follow the progression, if there was any, from "Tattooed Millionaire" to "Chemical Wedding," at least not until I catch up with whatever he recorded in-between. Still, I recommend this CD to all the "Iron Maiden" fans out there that still miss Bruce Dickinson's powerful voice. This CD will also appeal to fans of good, old style heavy metal and hard rock, which is creeping little by little into the endangered species list of music.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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