November, 2001

vol 5, num 1

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I don't mean this as an insult, not at all; it's just an observation: you've gotta be nuckin' futs to participate in motocross racing. The participants would probably freely acknowledge the validity of that statement; indeed, they would probably wear it as a badge of honor. If you haven't seen the sport, it basically consists of a bunch of guys grimly riding dirtbikes way too fast around paths and tracks with more curves than the Dixie Chicks, Mariah Carey and Michelle Branch combined. There are many, many opportunities for wipeouts, and I'm amazed that the televised programs aren't overloaded with commercials from chiropractors and ambulance chasers. It's exciting to watch as well, and I would imagine that consuming a few beers during the course of the observation of the festivities would help to enhance the enjoyment as well. There is also something calledextreme motocross, or EMX.

This involves sitting on your bike, revving it up, and then shooting it up a ramp and outward and upward, and then detaching yourself from your bike on the descent, before reuniting with it (hopefully on top of the seat, as opposed to under the wheels) at some point prior to impact. One chap I observed over the weekend actually completely let go of his bike ---look ma, no hands, no feet, no bungi cord, no hope of purchasing life insurance-- before setting himself back in the saddle and awaiting the sacmashing impact that was surely his when he and his hoss made their inevitable reconciliation with terra firma. I hope that the young gentlemen who practice this sort of athletic endeavor have all of the children they want, because with this sort of abuse of their reproductive equipment I fear that any of their future spawn will be wards of the state.

Motocross, like any sport, has its superstars, and one of them is Mad Mike Jones, who has tapped into the natural affinity between motocross and headbanging rock and come up with a collection titled MOTOTRAX 1. The collection consists entirely of tracks which are unavailable elsewhere: from bands you've heard (Static-X, Slipknot, Disturbed) to bands on the verge (Cold, Mudvayne, Union Underground) to bands who will never get on the radio, but are worth a listen nonetheless (Nashville Pussy). 

But the question remained: would this satisfy the motocross fans? I had no choice but to test drive it. So I shooed my hot-looking wife and our four year old antichrist out of the house, shoved the disc in, turned up the sound system until the Bose cubes started rattling, and turned the sound down on ESPN. And yeah, Mad Mike did a pretty good job. 

There's a little bit of everything on MOTOTRACKS 1, and enough to satisfy just about everyone, though everyone won't be satisfied with all of it. The tracks break down into roughly three categories:unreleased tracks, live cuts, and remixes. The best stuff comes early. Slipknot's "Sic (molt-injected remix)"from blastoff to landing perhaps best captures the spirit of the sport which this soundtrack commemorates. This is really no surprise; I have it on good authority that the members of Slipknot engage in competitions involving jumping out of second floor windows; kind of like motocross, without the bike to land on. A close second is "Bartender" by (hed)pe VS. 

Bad Azz, a metal/hiphop which is also the closest thing to a ballad on the CD and that sounds like it was slipped on the CD while Mad Mike was out for coffee.

Things get back on track fairly quickly, however, with "Terrorist (Total Destruction Mix)" by Soulfly, a head-through-the-wall banger that will tell you all you need to know about Motocross if you'd never seen a moment of it, the same way that Jackyl's "Lumberjack" could only have been about logging.

Zeke's "Kill the King" finishes things off in fine form, compressing what would have been a ten minute trip to the 7-Eleven by, say, Crash Test Dummies into a two minute wild ride to catch the tailend of a chick fight in the parking lot.

The biggest disappointment here is Nashville Pussy's "Flirting with Disaster," a cover of the Molly Hatchet tune that appears to have been done just for grins and giggles. Surprisingly enough, Disturb's live version of "Stupify" is also somewhat of a disappointment. It starts off strong, but kind of peters out a third of the way through and thus lacks the fire of the studio version, though it certainly is good enough to merit a listen nonetheless. Union Underground's live take on "Natural High" isn't bad; it just doesn't quite fit in, sounding more like a Widespread Panic tribute than music to get your balls mashed to. On the whole, however, this mother works, and works quite well. As the popularity of Motocross increases we'll hopefully see more CDs of this sort compiled by Mad Mike and possibly others, with material created especially for the CD. MOTOTRACKS 1 though, for the most part, will make you forget about all of those WWF CDs your moldy ex-girlfriend refuses to return.

Artist Various
Title Mad Mike Jones Presents Mototrax 1
Label Priority/Divine Records
Reviewer Joe Hartlaub
Rating
win stuff

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