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Considering that his
pastel-hued guitar work and sugary production technique are
major elements of this album, Turn Up The Heat could almost be
designated as another Russ Freeman disc. Yet, credit alto saxist
Eric Marienthal for parlaying Freeman's recognizable chemistry
into another set of smooth jazz standards driven by his
energetic horn. Marienthal's hearty, soulful lines fit neatly
into Freeman's framework, the melding of bustling grooves with
astute technical skills as one of the most successful
combinations in the realm of popular jazz.
During the course of “Heat,” Freeman
provides a mind's eye travelogue for the sonic
atmospheres of "San Marcos Square," whispering gentle
thoughts during the slow, simmering funk of
"Rendezvous," or recalling the serendipity feeling
that transpired during "One Day In Venice." While the
moods are truly Freeman’s, most of the Marienthal's
collaborations here are subtle and understated by
comparison.
Whether bowing out in favor
of trumpeter Chris Botti's low-key lines during the take of
Stanley Turrentine's "Sugar” or having keyboardist Rick
Braun transcribe the textures for "Lefty's Lounge,"
the veteran saxist understands and appreciates the touch of a
helping hand. Otherwise, Marienthal's playing is front and
center, under, over and in-between. He even triple-ups for a
rousing sax section front-line for the concluding track, "Hangin'
On The Boardwalk," as if there wasn't enough of Marienthal
to enjoy. Like a wise sage, Freeman brings out the best in his
pupil. Marienthal does his mentor proud with “Heat.”
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| Artist |
Eric Marienthal |
| Title |
Turn Up the Heat |
| Label |
GRP Concord |
| Reviewer |
Richard Proplesch |
| Rating |
 |
| website |
Eric
Marienthal Home |
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| win stuff |
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