November, 2001

vol 5, num 1

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How does one continuously write good music for ten years? Brian McKnight might be able to tell you. After releasing a self-titled album (1992), I Remember You (1995), Anytime (1997), and Back at One (1999), the multi-platinum artist has done it again with his latest, superhero. The 15-track album, which McKnight says has “the best elements of [his] four previous albums,” is a CD that people can listen to straight through, over and over. The music just doesn’t get old.

Beginning with a fantasy instrumental “Prelude,” McKnight sets the scene well for the remainder of superhero. Since the singer/songwriter/producer wanted the album to be “well rounded,” the songs that follow feature R&B, pop, rock, jazz, gospel, and rap. Highlights include “Everything,” and “Get Over You.” They are simply those kinds of songs that you listen to for the first time, yet feel like you’ve known the rhythm and words for years. Think “One Last Cry,” “Anytime,” or “Back at One,” – classic Brian McKnight tunes. Other great ballads in superhero include “Still,” “Biggest Part of Me,” and “When Will I See You Again,” all of which reflect the piano genius in McKnight. On the other hand, the title track, “Superhero,” uses a classic rock background that shows off his guitar skills.

As if that wasn’t enough, the new album also features several guest artists including *Nsync’s Justin Timberlake in the pop-ballad “My Kind of Girl,” Nate Dogg in the faster-paced “Don’t Know Where to Start,” and the St. Lunatics in the danceable bonus track, “Groovin Tonight.”

The only low points of superhero are the songs in which McKnight changed his traditional style. Pardon the use of a cliché, but ‘if it ain’t broke, then don’t fix it.’ For example, McKnight’s first single off the album, “Love of My Life,” highlights a new falsetto style. Unfortunately, it just began to sound whiny after a while. In addition, the beats in “When You Wanna Come,” and “Whatever You Want” both deviate from those of his usual hits, and could be considered sub-par efforts. It’s also uncanny the latter sounds a lot like Toni Braxton’s “Wasn’t Man Enough for Me.” Still, Brian McKnight’s incredible vocal talents still pull him through the rough spots, earning him 4 stars for the album.

Artist Brian McKnight
Title Superhero
Label Motown Records
Reviewer Roxanne Reyes
Rating
website Brian McKnight Home
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