November, 2001

vol 5, num 1

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I am, and have always been, the world's best audience. When I was in grade school, the class clown would always make sure that I was witness to his cutups. I would laugh, and get in trouble twice: once for laughing, and once for refusing to reveal the source of my merriment. I have never outgrown this. I ruined a First Communion one year by chortling with laughter when one of my sons pointed out a young lad who had seen fit to bring Garbage Pail Kid cards into church. And I'll occasionally laugh when my four year old does something crude at an inappropriate time, despite the admonitions of my wife that I only encourage the bad behavior by doing so. 

So here I am, endorsing Bad Ronald's CD full of cheerfully obscene rhyming, dissing, and doggerel. I'm not a fan of rap; too much of it is repetitive, full of misguided and misdirected anger and violence, like some weird cartoon soundtrack put together by homicidal three year olds. 

Bad Ronald, however, is just plain funny. Comprised of three MCs and one great, great d.j., Bad Arnold (named after a 1970s horror movie so bad it's good) rises above the genre yet remains firmly tethered to it. Their beats are catchy and full of hooks, and their lyrics and rhymes have some thought behind 'em light years beyond the "smack you, bitch" mentality so prevalent in the genre. Don't misunderstand me; you're not gonna play Bad Ronald in front of yo' mama, but you 'll play it for your homies over and over again.

You'll be laughing too hard to catch it all the first time through. Is the subject matter crude? Sure; however, Benjamin Franklin wrote doggerel that was just as base, and just as funny, for a lot of the same reasons.

Bad Ronald hooks the listener every time, especially on tracks like "Let's Begin" and "Popcorn Titties" (maybe the ultimate putdown song of all time) with catchy, nursery rhyme-simple choruses that likely will have the target laughing while feeling insulted. There's a lot of dissin' going on here, sure, but violence doesn't seem to enter into Bad Ronald's psyche. Bad Ronald will leave them laughing --but leave, they will. On the other hand, BR is hardly the romantic type. While "I Need Love" might start out on the smooth tip, it's a fooler. BR gets down to business in no time.

Love isn't exactly what is needed here. At least it's honest. When BR begins to describe---quite graphically---what he needs in a woman (or women) we all understand. It's at the heart of our base desires. The raps are only half of the story, however.

Bad Ronald has gone back to the lesson taught by Run-DMC and Tone-Loc so long ago: if the rapping doesn't get you, the grooves will. These guys are influenced by funk-heavy rock such as the Chili Peps ("All A Dream") and George Clinton ("EZ Decision") among others. There is also "Delivery," a phone prank track that will undoubtedly be used to harass Chinese take out restaurants all over the country during the next several months. They'll probably never have a clue as to the origin. 

I don't think you're going to hear much of Bad Ronald on the radio or on BET, not unless they clean it waaay up. This could well be, however, one of those CDs, like 2 Live Crew's efforts of over a decade ago, that sells like crazy without any airplay. It may even introduce a new phrase or two to the vernacular. And while I can't endorse the language, fair is fair. This may be one of the best Rap CDs of the past five years. You'll wake up in the middle of the night with his beats running through your head for weeks on end. And you'll be singing along as well.

Artist Bad Ronald 
Title Bad Ronald
Label Reprise
Reviewer Joe Hartlaub
Rating
win stuff

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