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And LUSCIOUS JACKSON |
9/25/97 |
| As a kid who grew up on the "Stones," "The Who," "Yes," etc., I have often wondered where the next generation of rock & roll is coming from. Well never fear, I have seen the future and the future is "Live," "Manbreak" and "Luscious Jackson." All three bands tonight showed they know how to rock & roll. |
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| Opening the night's bill was the British group "Manbreak,"
named after a U.K. government experiment on British soldiers of chemical
agents much akin to the infamous U.S. experiments using Army soldiers in
A bomb tests. The group consists of singer/songwriter Swindelli, lead guitarist
Snaykee, rhythm guitarist and vocalist Mr.Blonde, bassist Roy Van Der Kerkoff,
and drummer Stu Boy. Most of the material performed was from their latest
recording, "Come and See." They opened with a really hard rocking tune called appropriately "Let The Good Times Roll," and from there the evening only got better. "News Of The World" followed, a song which gives evidence of the social consciousness of Swindelli, who isn't afraid to tackle social issues in his lyrics. "Big Buddha," Round and Round" and "Ready Or Not" were all high voltage drum pounding, guitar-blasting songs. The best song of the set followed, "Kop Karma," which got the audience (those that were lucky enough or smart enough to come early) rockin' in their seats. They closed the set with "Future Days" and got a pretty good hand from the as yet sparse crowd. My thanks to Dr. Blonde for providing me with the playlist as once again the venue managed to mangle the lyrics for all but the folks directly in front of the stage. Dr. Blonde assured me that being the opening band was a good gig in spite of the conditions and they appreciated the fans who came early and heard them. |
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After a relatively short break "Luscious Jackson" took the
stage and rocked up a storm. Opening their set with "Pele" from
their latest album "Fever In, Fever Out," the girls from New York
City showed they weren't taking a backseat to anyone when it came to hard
rocking music. If it weren't for the skirts and slightly higher voices it
was just a rocking group of musicians. Actually these days skirts and high
voices aren't necessarily defining. Certainly the band doesn't feel that
way about themselves.
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