October, 2001

vol 4, num 11

 
"American Postcard" is, at best, one of those records that you blame for speeding tickets. With the top down, hair flowing wildly in the wind, and the four boys from Lebanon, New Hampshire playing on your car speakers, it’s easy to forget how fast you’re going, where you’re going, or how to get there. Appropriately, you may have heard Motorplant’s music on the MTV series "Road Rules." With three full-length albums under their belt, Motorplant seems poised to break out into heavy rotation on mainstream rock radio stations everywhere. They follow the formula similar to many of the pop punk crowd of bands that have cropped up recently such as Blink 182, Eve 6, and American Hi-Fi: Plug guitar in. Hit distortion pedal. Play four chords. Mix well. And the result is just what you’d expect: fun, but less than original.

Some aspects of the album are better than others. Steve Blanchard, the band’s hip vocalist, sounds like a male Gwen Steffani crossed with Raine Maida of Our Lady Peace. Throughout most of the album, two guitars work happily together to add a little variety to the mostly simple rhythm parts. The melodic bass musings often take control of the situation, adding to the heart of the song without taking away from it.

"Stuck Inside" is the proverbial rollicking road song. It’s a earful of fun that you can’t help getting stuck in your head. "Smell The Fear" weaves a musical tale of frustration and despair. "Take the time to feel the wrath of me. 'Cause I'm in trouble for my apathy again," Blanchard sings amidst chunks of meaty guitar. "Wounded" features a massive chorus of heartfelt vocals that are about as despairing as punk pop can get. Parts of "Rift" sounds eerily similar to "My World" by Axl Rose and the crew with the interesting style of guttural rapping during the verse, but then the chorus returns to the typical minor key punk song.

This disc may take you a few listens before you start getting into it. Then again, it may take you only a few listens before you throw it away. It’s not bad, but not terribly original. Some of the songs have all the makings of high school love anthems. Some, such as "Postcard" get old quickly with Blanchard’s fake vibrato and the punk "woah"s that highlight the chorus. For the most part, the album is fun, light pop rock occasionally venturing into the more introspective, moody numbers that give it that much needed variety. So how many speeding tickets is "American Postcard" worth? Maybe two. After that, it might make a good Frisbee or a beer coaster.

Artist Motorplant
Title American Postcard
Label Shiretown Records
Reviewer Shelby Rushing
Rating
website www.motorplant.com


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