October, 2001

vol 4, num 11

 
From deep in South Dakota’s Black Hills, Hank Harris delivers HERE a diverse, blues-flavored album of twelve interesting tunes that touch on many long- forgotten genres, but still maintain a sense of coherence. Harris has no use for much of today’s music, and HERE, his second album, could have just as easily come out of the late seventies as from the dawn of the 21st Century. It’s cheesy and uncool, but not without its moments.

If anyone can solidify the oxymoron "happy blues," it’s Hank Harris. Instead of the slow, depressing drudges that characterize much of the genre, Harris’s Blues are Blues only in form. Much of the lyrical content is elated and uplifting, keeping the mind at ease while the singer’s pleasant voice keeps the ear happy. HERE is awash with organ, hand clapping, electric sitar, saxophone, Bluesy guitar, and tranquil vocals. The songs are as diverse as United Nations meeting. The genres range from Latin to Blues to lounge music to Country and even some 80’s rock and a little white girl Rap. HERE could easily play like a compilation album if not for the consistent (and mostly pleasing) vocals.

The album’s opener, "New Religion", is a showcase of the band’s diverse instrumentation, dense arrangements, and warm, standout vocals. Some of Harris’s vocal harmonies are downright beautiful. Lines like "She’s my MSG and my formaldehyde" keep listeners interested and wondering what exactly the hell Harris is talking about. "Things Change" brings to mind early Bryan Adams or Bruce Springsteen. A quick read of the liner notes makes it so much easier to figure out all the instruments you’re hearing than to try and decipher them for yourself (what is a Moon Guitar or a Synth Sax Bass anyway?). 

On "Lies of Love," Harris takes a stab (rather unsuccessfully) at Latin pop, with the song’s heavily filtered talking guitar and signature offbeat staccato choral blips. "Cry Wolf" is a perfect example of the happy acoustic blues that Harris is so good at, featuring some guitar work that’s interesting if not impressive.

On "Things Change", Harris declares, "There is nothing I can say that has not been heard. Not a single thought, not a single word." Though this isn’t a completely accurate parallel for Harris’s music, it still hits close to home. Harris is good at what he does, though he is perhaps a few decades behind. The album is well produced and enjoyable, but lacks the intensity and freshness that a new album should have. However, if you, like Harris and/or have little use for modern music, you may find some use in this album.

Artist Hank Harris
Title Here
Label Sunbunny Records
Reviewer Shelby Rushing
Rating
website

www.hankharris.com



Contents

Home

 

 
 

© 2001 music-reviewer.com