October, 2001

vol 4, num 11

 
If I ever use the term "Pop sensibility" in any single review I ever write, someone please shoot me! I'm so tired of seeing that written. It's like every page I turn, there it is, somewhere, some way, haunting me in its overuse for any bands' inexcusable drift into deep water they'd never be able to tread otherwise. Hey, if there's a heightened use of melody involved, and an intellectually-based talent that lies beneath it, than let's just go for it!

This band doesn't make me angry by any stretch. In fact, listening to their somewhat muscular but refined "Are You With Me?" has quite the opposite effect. You're stimulated,  moved and in a pleasant mood. As a long standing advocate of looks don't mean anything, pre-judging these four guys on the back cover would lead you right away to the elegance and charm of the UK post-modern movement, created years ago, but still alive and kicking. Simple Minds or otherwise, the kick here is that these guys naturally hail from Austin, TX. In the land of ten gallons and tumbleweeds, COLOR must stand out quite a bit with their fashionably loud, mod-like presentation as pro-active poster boys minus one for a Beatles re-make. "Are You With Me?" is the anthemic sing-along first track and quickly assumed preferred status for me, with its catchy groove and plentiful chorus. In the early going, the tunes remain on the Pop side of the dial. I'd call it a glossed over Power Pop with an emotional edge, built primarily on the standard tools of the Rock & Roll trade - guitar, bass, drums and a wealth of vocal melodies. You might even call them a boy band with multi-tiered talents to play and produce their own material.

I guess I haven't listened to nearly enough Matchbox 20, Goo Goo Dolls, or contemporary hit radio, because nothing comes to the surface when I'm trying to pinpoint where this music has been before. I'm not overly enthused by a lot of the choruses I'm hearing. I think some of them could use a little more motivation and a bit more of the ol' draw ya in hook. "What Good Is It" and "Say Goodbye" come to mind quickly. For good measure, listen to the last self-titled Cheap Trick studio album, and their same-named first single, and that's precisely where we need to go to find "Say Goodbye."

There's plenty of groove, or what a band member or two might call "soul" from a certain Motown crossing, but I prefer to think of it as outgoing, uplifting, honest and "the sun peaked through the clouds of despair" crap. I think I'm gonna start talking about Hansen next. Remember what I mentioned earlier about shooting me!

It's pretty good stuff, although sometimes too predictable. For instance, I'm over here humming the "ooh, ooh" in my mind before they even get to it in the verse for "Trick Of The Light." So, let's hope these guys don't come off as a one trick pony. There should be a little more lasting significance here than one or two standout hits. 

The opener, "Alright," "Out Of Order" and "Going My Way" will do well forstarters. Their energetic delivery is impressive, so maybe we're looking at the next Smashing Pumpkins here. Or maybe we'll just get smashed and pretend we are.

Artist Color
Title Are You With Me?
Label Arista Records
Reviewer Vinnie Apicella
Rating
web site www.aristarec.com
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