October, 2001

vol 4, num 11

 
Here's the whole truth and nothing butt. This is a strange record. Actually "weird" is more like it. Yes, weird, strange - revolutionary? 

Hmm. . . But, then again, we've come to expect nothing less from the Surfers now haven't we? Now, for Jane's Addiction, Filter, The Chemical Brothers and even Kid Rock, who non-coincidentally shares the writing credits for the surprisingly catchy "The Shame of Life" (Which if I didn't already know it I wouldn't have believed it!) that's doing the radio rounds at the moment, this is perfectly normal. In fact, the quirkiness placed before us on this record, the shifting styles from a bit o' Funk, Hip Hop and Trance are unusual to begin with. By song three, speaking of unusual, maybe more like ridiculous. Is this a take on Hansen's first hit by some sort of sick perverted influence?

"Dracula From Houston," yeah bud, you definitely got lost somewhere about five time zones from home. If you hurry you can make it back by sundown and maybe we'll forget we ever ran into ya. This is the worst song they ever did.

Ever the experimentalists, The Buttholes never hang onto a typical style for so long that it becomes synonymous with what they are! Their earlier records were more of a crossbred type of Punk Rock with folk-like acoustic influences. Of course with a character like Gibby out front, anything that comes out of the mic is bound to shatter precept.

Apparent label conflicts delayed this record some four years as the follow up to their "Electric Larryland" breakthrough. For anyone who remembers long enough, a fair number of these tunes follow in the footsteps of "Pepper," their hit single from that record. Their continued embracing of electronic elements, sampling, and a wealth of dance-friendly pick up beats and casual club calls, along with plenty of background noise and Gibby's garbled drawl, insure the old faithful they haven't lost their minds altogether. Then again, some will argue that happened two or three years after they started during the "Rembrandt Pussyhorse" days. 

But we won't get into that. Musically, this is reasonably well put, stylish, sometimes stupid and at one with the hip-shaking enthusiasts phat beats for a funky butt. Or something like that. Different and tuneful in their occasional seriousness are "Intelligent Guy," "Jet Fighter" and "Yentel" - although they must've still been up in the clouds when they were doing this one.

"Weird" is the perfect description here. While pledging their allegiance to the God of modernity, these twenty year vets still know how to rouse the listening rube in their own seed-to-weed, vacuum-packed state of unpredictability.

Artist Butthole Surfers
Title Weird Revolution
Label Hollywood Records
Reviewer Vinnie Apicella
Rating
web site www.buttholesurfers.com
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