AMZ - September/October, 1999 - Asie Payton
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Vol 3 Number 9

September/October, 1999

 

       

 
 
Artist: Asie Payton
Title: "Worried"
Label: Fat Possum
Reviewed by: DIana Lomonosova
Rating:
 

"Asie Payton" will never be changed by fame. He'll never be lured away from playing his own style of music. His one and only CD, care of Fat Possum Records, is 10 tracks of gritty, raw, backwoods, visceral, pain and torment. It is some of the muddiest Mississippi river water to rain down on my ears in decades. Payton plays blues so pure in emotion, the ache of it is palpable.

Payton is no slouch when it comes to strumming out the hunger for his woman. His vocal marriage with his guitar produces a rhythm and harmony that sends a beat straight up the spine. "I Love You" is an ambling strut which very clearly provides a sexual backbeat to his simple declarative vocals. The keyboard, and Sam Carr's driving percussion, will get your shoulders moving if nothing else.

Payton delivers his anguish without Kafkaesque heebie-jeebies. "Worried," the title track, is a wail of Boogie Woogie - raspy and real. You think you've got worries. Listen to this man.

"All I Need Is You" and "Come Home With Me" slip-slide their ways straight down the spine, bumping and grating on little bits of Mississippi sand all the way. Two more cat's tongue licks are the slow hum of reverie, "Nobody But You," which glides down like mercury sliding over a pane of glass. Lazy, honey sticky sweet, Asie gets lost in his trance of affection and devotion. Coming out of his trance, he slithers into "Please Tell Me You Love Me" - 2 1/2 minutes of a call for reciprocation. Even slower, and lower, and despite the plea for a return of affection, it's a much more internalized piece. The pace drops down, slow and clear, like the shallows in the river away from the muddy shore.

A complete turn around in pace and energy is "Asie's Jam." Here's the grit! Grinding strumming, heavy bass, a strong percussion, and Asie punctuating it all, vocally and instrumentally. If this cut doesn't sate the need for pure blues, listen to "Can't Be Satisfied." The boogie woogie backbeat yields to screeches and howls of frustration. "Well, now it's three o'clock in the mornin'/ And I can't even close my eyes." "Skinny Legs & All" is an upbeat measure of blues funk! Sharp, unforgiving, and unapologetic old time blues.

"I Love You - Solo" is a reprise of the first cut. Payton does his own accompaniment on this one. Nothing fancied up. No driving beat. No glissandos on the keyboard. Just the essence of the song. Simple! There is no spite in his music. Despite the pain in Payton's life - life is life. It happens, and it so happens that Payton's music will never change, because Payton passed away May 19, 1997 in Holly Ridge, Mississippi, where he lived, played his music and finally died. This is the only recording done of his work. True blues aficionados owe it to themselves to check this out.

 
 
 
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