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No matter how hard I try to throw subjectivity out the window
upon first listening to a new CD, every time I pick up a so called
'electronic' title, I cringe. It's so difficult to be completely
objective, when so much of this genre falls under the category
of 'listen once, forget forever'. Yeah, most of it is boring,
repetetive, monotonous -- sometimes downright impossible to listen
to. But sometimes amidst the heap of forgetables, there's a diamond
in the rough. "Spirit House" is just such a gem. Based
in Hong Cong, Celestial ties together East and West by combining
the ambient grooves of European and American Electronica, with
samplings and musical contributions from traditional Asian sources
ranging from China to Napal to Vietnam.The sound is at once familiar
and strangely foreign -- an interesting and often hauntingly
beautiful combination that kept me coming back again and again
just for the sheer originality of it all.
The casual listener might compare Celestial's sound to that
of the Pop - Electronica pioneer group, Enigma. There is no doubt
that, at least on the surface, the two groups cross paths. Whereas
Enigma has used samplings of Gregorian monks and Native North
Americans, Celesital draws upon South Asian resources and even
throws in a few English spoken-word passages to mix things up
even further. While several tracks on "Spirit House"
contain a liberal helping of the pioneering spirit of the groups
that paved the way for them to be where they are today, it's
on the flat-out instrumental tracks that Celesital really
shines! From the rhythmic, traditional-sounding "Chang
Ding" which features an entrancing Erhu (Chinese Violin)
performance by Hsin Hiao Hung, to the gorgeous dreamscape painted
by "Life's Greatest Tragedy" (my favorite track on
"Spirit House"), this disc is about as rich instrumentally
is it can be. If you're of a more popular music ilk, "I
Feel Strange," with it's seductive rhythm and Sade-like
vocals is darn near Top 40 material.
As far as World Music goes, "Spirit House" is 'worldly'
enough to keep aficianados interested, but mainstream enough
to be interesting to everybody else as well. It's not quite a
crossover into mainstream Dance/Electronica, but it's a very
good album and well worth a listen, whether you're into the World
Beat, or just Beat in general. |