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Let me begin by questioning the need for
a tribute album (the second one in a series, in fact) to the
Police. I don't deny that the Police were a very talented influential
band, who managed to carve a much-deserved niche in the annals
of music history. I just feel that lately record labels have
been spitting out "tribute" albums at an all-too-fast
pace, and they're beginning to look less like testaments to a
band's musicianship, and more like cheap attempts to cash in
on a band's former successes. We're also setting a dangerous
precedent here: Imagine if you will, someone releasing a punk
tribute to Dylan, or, God forbid, a hip-hop tribute to Barry
Manilow.
Now, getting off my soap box here, it's
hard to fault Ark 21 for this.
They aren't responsible for the rash of tribute albums that have
been released lately, and they have assembled rather fun to listen
to artist/song combinations on this album, "Reggatta Mondatta
II." It is, as it's name suggests, a tribute to the band
Police, with songs done by various reggae artists. This provides
for an interesting marriage of styles on a lot of the songs,
with strange twists added to familiar sounds.
The album opens with Louchie Lou and Michie
One doing their version of the quintessential Police classic,
"Don't Stand So Close To Me." This is a suprisingly
entertaing R&B/reggae take on the song. The music is sparse,
as Louchie and Michie rely heavily on their vocals to create
their particular sound.
This is followed by British reggae legends,
Aswad, offering up "So Lonely." They feature reggae-tinged
vocals and rhythms punctuated by intermittent horn bursts. Despite
the reggae twist, this song probably comes the closest on the
album to sounding like the original version. Circle of Pain,
of "Bad Boys" fame, follow Aswad, providing a groovin,
albeit mellow, version of "King of Pain."
Big Mountain, probably best known for their
cover of Peter Frampton's
"Baby, I Love Your Way," choose as their contribution
a song I feel is one of the most underrated Police songs, "Man
In a Suitcase." Big Mountain, in my opinion, is more pop-oriented
reggae, but this song is fun to listen to regardless. Following
this, The British Link lend a hip-hop rastafarian style to "When
the World is Running Down."
Rayvon and Shaggy turn "Demolition
Man" into a reggae tinged R & B rocker, while Freddie
McGregor brings the song "Rehumanize Yourself" back
to the islands, complete with an easy groove and a sun-splashed
horn sound. Bim Sherman offers a soulful, mellow "Bring
on the Night."
Third World takes the Police song most
suited to a reggae rendition, "De Do Do Do, De Da Da Da,"
and have a ball with it. This is one of the most listenable,
consistent songs on the whole CD, and would be one of the reasons
to buy it if you were so inclined. The final track is by Toots
and the Maytals, and is one of the more interesting choices for
a cover on the album, "Canary In A Coalmine." It is
an obvious selection, once you listen to the lyrics, but one
I would not have considered originally. This is also one of the
more groovin tracks on the album, and the band obviously delights
in turning this song into a reggae hip-shaker.
Overall, this is an enjoyable, if somewhat
repetitive, CD. There are some really interesting selections
on this album, but the question you should ask before you buy
this album is if you really want to own reggae versions of Police
songs. As with any tribute album that works, it stands up well
on it's own, but by the same token, it's not the real thing.
It is a fun change of pace, but for me personally, doesn't stand
up to repeated listening. However, if you enjoy reggae, and happen
to like the Police, you may like it. |