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Artist |
Toploader |
| Title |
Onka's Big Moka |
| Label |
Sony Records |
| Reviewer |
Richard Proplesch |
| Rating |
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I just finished an interesting survey in the British
press, where most of the younger Parliamentary
candidates were queried about their various positions
and political philosophies. Although there were a few
exceptions, Toploader’s “Onka’s Big Moka” topped the
list of “last album bought” by this slate of
bureaucratic hopefuls. What does that say about the
future of the empire? I’m not sure, but if the monarchy
crumbles, at least they’ll have a great party disc to
listen to during the overthrow.
In no small fashion,
Topoader are a wonderful, populist brand of band,
reaching out to the Euro-masses with upbeat, danceable
grooves and gentler arrangements that smack of late ‘70s
singer/songwriter pop. Like the honeyed, mellifluous
material of fallen airwave heroes such Pablo Cruise,
Orleans, or Firefall, Toploader’s tunes are catchy and
forthright, without a “hidden agenda” in the lyrics or
cumbersome musical technique to get in the way.
Tracks
like the opening “Let The People Know,” “Breathe,”
and “Only For A While” have a knack for immediate
affinity, like Train’s work, sounding familiar and cozy
on first hearing. Likewise, their cover of King
Harvest’s “exalted of all-time, laid-back
hits,” “Dancing In The Moonlight” gets a tender, retro
treatment, complete with creaky mellotrons and offbeat
handclaps. What they may lack in innovation (but
frankly, what could be more daring in these times than
wanting to sound like a 2k version of the Little River
Band?) is made back with subtle hooks and super
production. They’ve got my vote.
to this.
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© 2001 AMZ/music-reviewer.com Robert R. Lewis
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