[an error occurred while processing this directive]
September 2001 Vol. 5 No. 10
 
Contents In This Issue

Home Home
Feature Artist Feature
New, Unclassified Misc Releases
Brand New Bands! Debuts
Regular Ol' Rock-n-Roll! Alt/Mainstream
Punk and Hard Rock Punk/Hard Rock
Headbangers Apply Here! Metal
Just Mellow Out! NewAge/Classical
R&B, Hip Hop and Rap R&B/Hip Hop/Rap
Country Style Country
Jazz n' The Blues Jazz/Blues
The Live Experience Concerts
Soundtracks and Movie Scores Soundtracks
Exclusive Interviews Interviews
The Big Mouth Speaks Out! Editorial
Back Issues Back Issues
One simple word: WIN! Win Cool Stuff!


What's in this issue?

 

Wanna Write for AMZ?

Wanna Submit Music?

Wanna Contact us?



?
 

 
Artist Rollins Band
Title Nice
Label Sanctuary
Reviewer Richard Proplesch
Rating
Despite his god-mandated role as the hardcore renaissance figure, Rollins sure has a gifted knack for choosing record companies that float belly up after releasing his work. They’re fierce, indispensable albums- if you can find them! In spite of such dismal fate, Rollins is such a persevering fuck, determined to crack history with yet another version of the band with yet another disc on yet another label.

“Nice” finds the always-intense Henry carving up society’s afflictions with a young heavy metal trio (roughly half his age) that uses a few crunchy curves, but without all of rap metal’s bludgeoning impact. Not only does the current group sound furious for most of Henry’s rants (after all, why isn’t accusational “One Shot” here already a hit among the Rage Against The Machine faction?), but even Rollins himself sounds as if he’s producing more hooks and user-friendly text.

Vicious tracks like “Your Number Is One” or “I Want So Much More” are some of his finest post-Black Flag spewage, maneuvering his perspective to fit into the chunky riffage. Just as Rollins’ scatology for the challenging “Up For It” (a knockoff of every James Brown groove) signifies that he’s even got a funk album locked up inside his soul. And again, he will never be stopped.


© 2001 AMZ/music-reviewer.com
Robert R. Lewis