| I absolutely LOVE this album!
The sad part about it though is that if I wasn't such a rabid fan of Marillion
I would have never even had the opportunity to hear OF it, let alone hang out
and play it time and again. "Postmankind" is a solo project
for Marillion's drummer, Ian Mosely. Together with the
multi-instrumental mouth of Ben Castle (who appears on Marillion's
marillion.com release), Mosley creates a Jazz/Rock fusion album with some real
attitude and an incredible focus.
I generally don't go into the whole fusion
thing because, to my ear, it always ends up coming off like (barely) organized
chaos. Postmankind however manages to test the mettle of the performers
without sounding like a Battle Of The Bands jam-off at the local college field
house. This is some really good quality music!
As I see it, few drummers can hold a candle to Ian Mosley. He can go
from delicate to frenetic with the flick of a wrist and never skip a beat or
drop the ash off the end of his cigarette. Challenging rhythms and
wacked-out time signatures and change-ups seem like childs play -- all this
and he's a classy, stand-up guy to boot. Castle on the other hand seems
to be able to play anything you put in front of him. Sax? Hell
yeah! Flute? No problem! Clarinet whilst twiddling the an
oboe reed with his nose? I wouldn't be surprised! The miracle of
the multi-track recording makes him sound like a one man orchestra section,
but the sound never comes off as gimmicky. He's just that damned good!
Bandmates Pete Trewavas (bass) and Steve Rothery (guitar) guest throughout
the disc and there's even a couple cameos from friend and former bandmate
Steve Hackett (of Genesis fame - guitar). You'd never know this was a
side project as this loosely formed band sounds like they've been playing
together forever (well.. technically they kind of have.. but not THIS kind of
music!)
My favorite track on "Postmankind" is the first one,
"Someday in May." It starts out as a pretty straight-up jazz
piece with a fresh, spring-fresh (hence the month of May, perhaps?) sounding
sax. The bridge is a relatively jam-like interlude featuring Hackett's
signature guitar work.. starting with a wail but trailing off with
a growl you can hear as much as feel. Coming out of the jam there's a
fast and furious sax solo that sounds like it comes directly out of the Philip
Glass school of minimalism. It's a complicated segment which is quickly
compounded by layers aftter layer of Castle on every instrument in his
repetoir ... finally the brief minimalist interlude fades and the
"Someday in May" ends as it began -- this one is an absolute stroke
of genius!
"Glass Eye" is a funkier piece featuring a simpler rhythm and a
Jethro Tull -ish flute with harmonies supplied by tenor sax.
"The Continuous Adventures of Colonel Svene" is, to my ear, the
most avant garde of the eight tracks on Postmankind. I get a real Steve
Hackett vibe through most of this one.. sounds like something from his spate
of concept albums in the late '70's. But then things get slightly
off-kilter and a hair atonal as all hell breaks loose with guitars, drums and
sax. There's trumpet here and some really odd sounding interludes
that .. well, you have to hear a few times to figure out whether it's you or
the music or both that just took a left turn to the Twilight Zone!
The title track and the closer, "The Viepoint" are more
straightforward tracks which continue to showcase the diversity of
Mosley and Castle. I very much like the upbeat ending to this disc, but
then again I very much like everything in between as well!
Really, there ain't a bad song on this disc. It ain't dance music,
but it's got great rhythm. It ain't pop, but the hooks will just about
kill ya. I'd like nothing more than to sing its praises on every hilltop
(but that would get me committed, wouldn't it?). Unfortunately, the
reality of the industry says that, barring some miracle, "Postmankind"
will not break any sales records and that's a shame -- yet a shame these
talented musicians have come to accept, but to never be deterred by.
Let's all hold hands and thank God for that!
Perhaps Ian and Ben can take some solace in this -- I'm not just being nice
because I'm a fan, this truly is a five star recording. I guarantee that
anybody who gets ahold of this CD will love it. This is one you will
HAVE to buy new because you'll never see it in the used CD bins. There
are a ton of beer coasters out there that look suspiciously like old and
crappy CD's. This my friends is absolutely NOT one of them!
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