Here's a new one out of Germany. The "Mob Rules" doesn't quite apply in
this universe I'm afraid, so immediately put away your Sabbath biases.
"Mob Rules' " first undertaking has the markings of a winner, but nevertheless
the fight goes on.
"Savage Land" explores the current symptoms that
plague our universe, and the potentially damaging consequences of
natural resourceless-ness. Modeled somewhat in theme to the "Mad
Max/"Waterworld" type of visions of the future, "Mob Rules" examines a
world destined for doom, but one that can indeed rise up again to flourish.
A hard lesson learned for its present inhabitants? Possibly, but the
lesson here is a stellar example in how to let the music dictate the
direction of the album.
"Savage Land" delivers on all fronts, ranging
from the bombastically oriented power strokes of "Insurgeria," the
self-starting opening track that speaks of triumph in the wake of
tragedy, to "Hold Back The Light" which operates musically in a similar
manner to later Queensryche and the full effect of softer tones in
getting the full emotional impact across.
Typically, "Mob Rules" make
strong use of backing vocal ability and harmonies, led by a vocalist
that falls somewhere within the Axel Rudi, Kai Hansen range. The name's
Klaus Dirks and it shouldn't be long before individual recognition
befalls him - provided he lasts long enough to tell another tale in the
wake of "End Of All Days." This, the final album track, misleadingly
speaks not of the bitter end but rather of new hope and new trust.
"Savage Land," in fact, is reminiscent of another album of the same name
done by the now defunct X-Wild, fellow German power metallers who sang a
similar tune at the time. Both bands work well within the reality-based
fantasy realm and here Mob Rules leads the charge for the next wave of
Deutschland's metal stalwarts with their gripping story.
"Savage Land" - one that flashes a serious concern in an imaginative
presentation set to
a future world of hope.