Imagine enduring an endless summer of drought - correction, an endless
decade of drought - where everything dries up and we, as the parched
inhabitants of a dried up and peeling earth, suddenly and without
warning, have the rains come in total abundance, washing away the hardships
and refreshing the land again. Well, these two latest releases
highlighting the career of "Marshall Crenshaw" I look at in two ways.
The first as a welcome relief that granted, nothing brand new has come
out of them, but taking a look back into the long empty resources of a
pop music past, recapture the energy and cheer of an optimum moment in a
time where it was okay to smile.
Secondly, I can't remember the last
time I've heard a thing about the guy, then all of a sudden, there's not
just a "Best Of" package hitting the market, but also a reissue of his
first album, released back in '82 and given a full facelift and
many additional rarities and past highlights so as to basically double
up its original contents! A monumental offering for serious collectors
and casual fans alike.
Now, at the forefront, I don't want to come off
like criticizing that which I don't understand. The fact is I never had
any deep fascination or extensive knowledge of this artist's prior work,
but to put it bluntly, I'll soon have more than I ever could have
imagined! Crenshaw, a hybrid of working class talent that recalls the
likes of Elvis Costello and Buddy Holly, alongside late model
Beatle-esque harmonizing, first made waves nearly twenty years ago with
the hit "Someday Someway," which is featured prominently on both
releases here.
In addressing the "This Is Easy," the "Best Of"
compilation first, we discover, or at least I do, that Crenshaw's
obviously had quite a body of work to speak of. After twenty-two tracks,
spanning roughly a decade and a half's worth of recording, I'm a
believer! This Crenshaw "Anthology" of sorts features a massive booklet
containing song by song analysis and special notes and commentary by the
contributing factions. It's here where the education process begins.
The musical set itself begins in a stylishly upbeat fashion with
"Something's Gonna Happen," a rarity spawned initially from his first
single, and as we scroll past that acoustical jive of "Someday. . ." one of
the finer moments come in the form of "Maryanne" and "You're My Favorite
Waste of Time," which originally appears as a non-LP track, so delight in
the obscurity of your surroundings if you wish. Fans may well remember
another of the big hits going back to "Whenever You're on My
Mind," which now that I hear it again for the first time since I was about
twelve, brings back that feeling of carefree innocence and
pre-adolescent desire.
Regardless of where, when and what you were
doing at the time, listening to anything by "Marshall Crenshaw" will most
certainly change your outlook. A positive influence in every way, he's
the essence of pop music faith, yet there's also the slightest traces of
a rebel rocker that kicks out a jam or two in the process.
Crenshaw's first record, spawned back in '82 when everything under the sun was
going on within the realm of rock music, was probably nothing like what
anyone was looking for. Going against the grain with its
traditionally inspired likeness to many of the greats of yesteryear, his
self-titled debut featured a casual listing of catchy, sing-along
crossover melodies - "crossover" in the sense that he dared cross a line
of extremities when the likes of punk, metal, and fashion were soon to
be all the rage. Yet, he possessed none of it, just simply delivered
"from the heart" rock and roll played with a passion, gimmick-free and
without shameless pandering.
This vaulted classic gets an impressive
lift here by way of nine extra bonus tracks, pulled from original demos
and live material from some of his earliest performances. An
expansive foldout containing some of Crenshaw's own commentary as well
as nostalgic remnants from the up and coming young performer. One thing
about the folks over at Rhino, when they set their minds to
reestablishing the work of a prominent talent from the past, they don't
fool around. Anything and everything you'd ever want to know about
"Marshall Crenshaw" is covered in great detail - and talk about making up
for lost time! But the music, for many a return to the "golden" years
of pop as absurd as that sounds, was actually one of the year's
highlights when it first came out and it's easy to see why.
"This Is Easy" and the self-titled reissue are prime examples of an
underexposed
artist that always should have, but never had, their day in the sun. Call
it bad luck or poor timing, but the fact is, Crenshaw's talents seemed
well ahead of his time and he, like many before him, will be remembered
more for creating solid full length records that influenced many a
trained listener rather than the quickly burnt now and again hit that's
made for more "What ever happened to?" gossip than anything
substantial.
That said, let's forget he ever did "Someday Someway" in the
first place! There are always exceptions of course, but good rock and
roll's always gonna have a place in our musical society and while the
name "Marshall Crenshaw" might always be associated for that one MTV hit,
these two factually relevant and complete chapters represent far more
than I ever expected and grant a talented artist the exposure he so
richly deserved in the first place!