| Artist: |
Laika |
| Title: |
"Good Looking Blues; |
| Label: |
Too Pure Records
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| Reviewed by: |
Vinnie Apicella |
| Rating: |
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A bold flash of eroticism beckons you on the come hither tale of the lead
track "Black Cat Bone," and suddenly you're no longer resting
comfortably in what has now become your "uneasy" chair. The darkness
swarms upon you, a titillating desire to delve further into the ambient
strains flowing within the confines of "Laika's" newest and most
innovative creation, "Good Looking Blues." The name, a bit misleading at
times, ventures far off into the unexplained. Where "Blues" holds
little meaning in a literal zone, "Good Looking" appears right on target
in this fresh lauding of aural listening pleasure.
Led by ex-"Moonshakers" vocalist Margaret Fiedler and bassist John Frenett, we
ourselves are led by an oncoming rush of hybrid moments lapsed fervently
through the use of mesmerizing echo, fiery drum and bass grooves and
guitar-led modern rock fusion. The stillness of the night comes crashing
wholly in a turbulent reactionary display that often lulls the senses
into a false sense of security. By design, "Laika," as innovative as the
event they're named after, touches upon irreversible and unconscious
degrees of inspiration while veering off into no one direction in
particular.
Slipping in programmable dance beats with moments of jazz
and hip-hop led overtones, along with the soothing croon of Fiedler's
over, yet not always above vocal lushness, "Good Looking Blues" emanates
a radiant energy in a dark and tranquil setting that darts in and out
with a spiritual essence and descends quickly on a cathartic collision
course with the world below.
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