The rock and roll predator of the deep rises to the surface again as
"Great White," a band with more lives than you can shake a leg at, is back
in full party mode here with yet another album, designed to showcase
their, well, latest and greatest. "Greatest," however, is a matter of
opinion, and even "Latest" seems to be devoid of anything really post
"Hooked" - unless you count the opening live "In The Light," which
they covered from Zeppelin and appeared on "Sail Away." Or was it "On
Stage?" They also did this killer "Great Zeppelin" tribute thing a
couple years back that's so true to life to the originals they'd
probably make a better living at doing that at this point!
This group has been around for a good twenty years now, and I'll give 'em
credit,
rock and roll's in their blood! They really haven't hit it big like
many of the rest of their mid '80s peers since something like "Once
Bitten, Twice Shy." While that's not to suggest an overall weakness
in performance, they did seem to get a little self-absorbed and
formulaic for a while there. So, like with any "Greatest Hits" type
thing, there are several songs that deserved to make the "cut" that are
nowhere to be found, but truthfully they should've concentrated on the
less publicized recent material like "Wasted Rock Ranger" or that kind
of stuff.
As it is, "Latest & Greatest" is a showcase of sorts that
explores the band's achievements from the earlier days up to the
present, although it would've made sense to include specifics as far as
years and album titles within the tracking for the benefit of
newer fans that might not be quite up to speed. This album goes as far back
as "Shot In The Dark," which really signaled the start of "Great White's"
success, even though their self-titled release that preceded it remains
to this day as one of the great hard rock albums of the era and one that
they've continually ignored throughout the ages, so why bother now?
What's left to lose, just go for it!
"Face The Day" was the big hit from
the "Shot In The Dark" record, and like the preceding version of "Rock
Me," sounds either remixed to the bone, or possibly re-recorded in a
much cleaner context. Is Kendall still with them by the way? Old
"Great White" himself is still pictured with 'em, but I had heard
something a while back. . .
Anyway, there's "Once Bitten, Twice Shy" which
doesn't play here for some reason, but afterwards there's a new cut from
their "Can't Get There From Here" Portrait comeback and "Rollin'
Stoned," a typically active summer fun GW party track that goes well on
a long, clear stretch of highway. I wouldn't have minded hearing "Move
It," which is actually one of the best tunes they've ever done.
And, well, there's a couple from that ". . .Twice Shy" album like "Mista
Bone" -
God forbid they leave that one off - but I like how they roughed it
up a bit this time. "Save Your Love" was one of their big radio hit
ballads from the "Once Bitten" '87 release, easily their biggest mover.
"Can't Shake It," from the not so classic "Hooked" release about a decade
ago makes an appearance, surprisingly, and is, along with "Desert Moon,"
two of the better tunes that had to offer. But where's "Psycho City?"
"House Of Broken Love," a heartily crafted and bluesy ballad from the
"Once Bitten, Twice Shy" '89 release, along with "The Angel Song," which
was done live are two great moments during the second half.
I don't quite understand what made them conclude with "Lady Red Light,"
which I
remember to be the first single from "Once Bitten," but they could've
come up with something stronger to leave with a little more impact. Maybe
something off "Let it Rock?"
Nonetheless, this is about what fans
should expect to hear from the band, a nice blend of yesterday's hit
classics given a smoothing over, and a handful of recently recorded live
tunes. "Latest & Greatest" will reassure fans that this once formidable
rock and roll monster of the deep is still circling, waiting for just
the right moment to strike again, not lying dormant on the ocean
floor.