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Artist |
Ze Bruno |
| Title |
Big Circle |
| Label |
Tonga Records |
| Reviewer |
Joe Hartlaub |
| Rating |
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Peter Gabriel, Paul Simon, Sting, and David Byrne, among
others, have been
utilizing percussive rhythms from South America in
general and Brazil in
particular for many years now. It's been difficult,
however, for South
American proponents of such music to gain a foothold on
the American music
scene without getting pigeonholed into the boring-but
good-for-you category
of "world music." If anyone every deserved the crossover
props, however, it's
a guy named Ze Bruno.
Ze has been active as a session man on the Brazilian
scene for over 20 years,
participating in well over 150 sessions; interestingly
enough, BIG CIRCLE is
his first solo effort. As one might expect from an
artist who has been
grooming other horses for all these years, he bursts
right out of the gate
when he gets a chance to race his own. The result is an
incredible,
impeccable work which has something for everyone without
pandering to anyone
in particular.
One of the many jaw-droppers on BIG CIRCLE is Ze Bruno's
interpretation of
"Come Together," wherein he transforms the Lennon-
McCartney classic into a
Brazilian rap-hip work, breathing new life into an
overplayed tune and
transforming it from an edgy rocker into a rap-hiphop
percussive masterpiece.
Another is Ze's take on Peter Gabriel's "Mercy Street,"
which takes the fruit
of Gabriel's dour genius and returns it to its source.
The result is not so
much a reinterpretation of the work as a reaffirmation,
a welcome return of
an adult child to its home. The standout track, however,
on a CD full of
them, is "Rio Love," a rhythmic bouncer which gives the
listen a clue as to
what would have happened if War had collaborated with
Roger Troutman. This is
a perfect number to shake the car windows with on a
Saturday night. Then just
when you think you might have Ze Bruno all figured out,
he closes with
"Honeysuckle Vine," which could have been co-written by
John D. Loudermilk
but wasn't, combining elements of swamp pop, country,
and jazz into
something...new. "Vento Bravo," which echoes the work of
jazz stalwart Wayne
Shorter, subtly ebbs and swirls through tempos and
styles, taking the
listener on a rhythmic emotional ride that is full of
surprises, even on
repeated listenings.
BIG CIRCLE, I think, is the sound of Ze Bruno just
getting started. This is
a work which is subtly ground-breaking and which will
undoubtedly influence
many other artists both directly and indirectly for
years to come. Very
highly recommended.
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© 2001 AMZ/music-reviewer.com Robert R. Lewis
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