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Artist |
Sim01 |
| Title |
Radiophonic Oddity |
| Label |
Cyclotron Records |
| Reviewer |
Joe Hartlaub |
| Rating |
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A disclaimer, here. I am not a klub kid. At my age,
physique, and hairline,
I'm in a lot more danger for being mistaken for Tony
Soprano than Bad Boy
Bill. My idea of electronic music is/was Kraftwerk, Can,
and Tangerine Dream.
Haven't heard anything much different from those three
since then. I know
that the music has split into several different
permutations since then, from
electronica to house to drum and bass to two-step garage
and if you put a gun
to my dog's head I could probably be able to pass a
blindfold test as to
which is which, but I wouldn't be real confident about
it.
Accordingly, it takes a CD in that genre to be a bit
different to make me sit
up and take notice, which is exactly what I did about
three seconds after I
slapped Sim01 's RADIOPHONIC ODDITY into the player.
The opening track,
"Twilight," is like the background music to a nightmare.
The track features
samples from the original Twilight Zone episode, "Where
is Everybody" ---a
classic last man on earth scenario --- and the
hyperkinetic beats subtly
increase the tension. There is no danger of this one
being lost in the
shuffle, even if the poor bastard running around
screaming "somebody help
me!" is. Things level off a bit with the somewhat
pedestrian "Bring Me," but
what is noteworthy here is that Sim01's compositions
have a beginning,
middle, and ending, rather than sounding as if someone
left some dust on the
CD. He accordingly has some respect for his audience; he
apparently assumes
from the getgo that not everyone is tripped out on
ecstasy or the whatever
the flavor of the day is, and can handle a little
changeup along with the
beats. This holds true with the hyperbeats
of "Noontime,"which makes
interesting use of dynamics and changeups which flow
almost flawlessly
into each other. While occasionally Sim 01 goes a bit
overboard --- parts of
"Cyclotron" sound uncannily like the droning of an
intergalactic refrigerator
with a 300 year old compressor--- he for the most part
reins in whatever
excesses he may be tempted to unleash. The most
intriguing cut on the CD,
however besides "Twilight," is "Gristle," wherein Sim01
samples, I swear to
God, Celtic music with what sounds to be Nine Inch
Nails. In the hands of a
lesser dj., this would have been as out of place ---and
as unwelcome--- as
Boy George at a Boy Scout Jamboree. Sim 01, however,
makes it flow, though
the listeners will undoubtedly be awhile picking their
jaws up from the dance
floor the first few times through. What unifies this
CD, however, is
Sim01's incredible stereo mix, which somehow manages to
add an extra speaker
in the middle of the listener's head, particularly
on "Against the Wall" and
"Mentor." The latter, especially, is a haunting track
which will be replaying
in your head long after you've washed the day out of
your head.
Sim01 was recently able to pick up national distribution
of RADIOPHONIC
ODDITY. This is a good thing. This work needs, and
deserves, to be heard in
places outside of the confines of the clubs and
warehouses. I was going to
give my copy of it to my 19 year old, but to heck with
him. I'm keeping it.
Let him buy his own. Highly recommended.
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© 2001 AMZ/music-reviewer.com Robert R. Lewis
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