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August 2001 Vol. 5 No. 9
 
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Artist Mushroomhead
Title XX
Label Eclipse Records
Reviewer Vinnie Apicella
Rating
And Smallsville will never be the same again after this circus leaves town. Here you got this traveling sideshow of freaks come together to wreak horror and havoc on the world and with this crude exhibit aptly titled "XX." But don't ask me why, I think the curtain is not only drawn, but ripped completely off, enveloping a throng of awed if not terrified onlookers. Okay, we're getting too far ahead here, but Mushroomhead is in fact all about the stage and merging the vaudevillian style of yesteryear with presumably something far beyond the limits of the law..

Their music? Interesting to say the least. Now based solely on their appearance it's gonna be another Slipknot deal -- you got these eight weirdoes donning masks and other assorted disguises and creepy images and right off I'm thinking, "fuck, not again!" They're different though (now that's the pot calling the kettle black and then some!), and in spite of my prejudice early on -- you see, I don't like Slipknot and have grown tired of the Nu-Metal fad that's lived way past its due date -- Mushroomhead's got about a million and one different elements working for it, not always in unison, but definitely intriguing and always offbeat. I'm willing to bet the name "Mushroomhead" either was derived from a bad B-movie sketch only the hardest of the core would know about, or the person or persons at the root of the band featured a seriously stacked coif.

These guys come at ya from every angle and what makes them different from the wealth of Rap/Metal crossover specialists is the fact they incorporate about eighteen different styles -- and tales of the unexpected was never put to better use -- from song to song that catch you completely off guard to the point you have to sit and listen to hear how the whole thing plays out. One moment we're peeling out with speed-Metal style riffs, the next, haunting industrialized overtones dominate the mood. Then, before you can blink, there's an odd piano melody here or transfixed gothic presence there and as you wonder how the second coming of Faith No More came about without noticing, you're kinda digging it.

So yes we're dealing with another of these genre-slicing groups crossing borders, crossing fingers, crossing bows and whatever the Hell else they can lap up from yesterday's leftovers but the fact, and granted there's eight of 'em for a reason, they seem fairly well skilled in the art -- Some art -- of a yet to be determined nature, in a deceptive and sometimes dissonant sort of way. Watch for 'em in the future, cause let's face it, with a name like that, they ain't gonna exactly fall through the cracks.

 


© 2001 AMZ/music-reviewer.com
Robert R. Lewis