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August 2001 Vol. 5 No. 9
 
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Artist Ministry
Title Greatest Fits
Label Warner Brothers Records
Reviewer Vinnie Apicella
Rating
They were avant-garde before we knew what to do with the word… They're renown as musical innovators was established long before Electronic music and Industrialized techniques became commonplace… they were out there… far out there on innumerable levels and mere mention of the name will evoke many different thoughts, ideas, concepts… and what a perfect name, Ministry, a housing for all unholy -- a mainstream blockage that rendered useless the simplistic concept of Rock, Pop and Heavy Metal. They were all of these things and they were yet something unknown, mysterious but never thoughtless… And many from back in the day, say some twenty years before, may yet be scratching their head at the early MTV fave that was "Revenge," a Brit-Pop extreme from an album far removed, eons and again from anything we've known from this band, Ministry.

"Greatest Fits" says it all, but not nearly enough -- but as far as the bands' "hits" collection, necessary, integral and vital for all who've embraced a technological vision to move forward. Ministry's heavy-edged, techno-laced style of Industrial angst grew to feverish heights at around the time "The Mind Is A Terrible Thing To Taste" first poisoned the airwaves back in '89. At a time when music was crying for an inevitable revolution, they were going to give it… in fact they had been doing so right along, but it wasn't until then that people were ready to embrace Ministry as something more than an underground phenomena. A few years later, with the release of "Keanho" or something thereabout, saw the band rise to near mythic proportions. With the seething free-for-all collaboration with the Butthole Surfers' Gibby Haynes for their Hard Radio hit "Jesus Built My Hotrod," they never looked back, burning rubber like a motherfucker, Hell-bent on death or its humanistic equivalent.

Ministry made a lot of noise, here, there, and in more ways than one, they had grand machinations attached to their music -- the art of noise for all the world and "Greatest Fits" captures the best moments of another band that may never be fully appreciated till well after their time.

I still can't come to grips with the fact that "Burning Inside" from the "Mind" release didn't get on here -- that's more than just a mere oversight -- but they managed to throw in just about anything and everything else that could possibly be termed "integral" to the band's continuing legacy… "Lay Lady Lay," the sole exception ("Dead Guy," "Game Show…") a numbing cover of a lousy Bob Dylan tune that they obviously had fun with, but never sounded good to begin with -- this preceded by "Reload," both going back to their 1996 "Filth Pig" follow up to the mega-successful "Keanho" thing that to this day and forever after has its place in history.

"Filth Pig" was more the return to their "Twitch" and "Land of Rape and Honey" days, less built on Speed-Metal warfare, and lent more to the technological complexities and spiritual wanderings of the past.

A trio of newer material closes things out in odd yet traditionally Ministral-like fashion before a bruising and blurry cover of the Sabs' "Supernaut." What can you really say about a "Greatest Hits" collection other than most of what should be on there is there… would've been cool though to see 'em throw on an "Effigy" or "I Wanted To Tell Her" just for kicks considering their knack for going against expectations.

 


© 2001 AMZ/music-reviewer.com
Robert R. Lewis