My main residence is located in a central Ohio suburb, a
quiet, conservative
place where most of the dads are gainfully employed and
the moms stay at home
and raise the children and the crime rate stays low.
What is interesting,
however, is that if you drive through the middle of town
on any given
Saturday night you'll find the area in front of city
hall given over to the
Goths, the kids dressed all in black with the black
eyeliner and the poseur
attitudes, who think the day Bauhaus broke up is the day
the music died.
The Mansions' music doesn't bear much relation to
Bauhaus --- the Mansions have
talent, and songs, to name but two points of
differentiation --- but they
definitely are both fishing in the same pond. Lead
vocalist Eddie O's chops
bear a passing familiarity to Peter Murphy's, and the
same veneer of
underlying depression that make Bauhaus such a favorite
among the kids who
find it such a drag to have everything they want (as
opposed to, say, their
counterparts in Sarajevo, who have to grub through
abandon buildings looking
for a dead dog for dinner) underlies The Mansions music
as well, though they
are quite a bit peppier in spots. The Mansions still
sound depressed, but the
seratonin supplement is starting to kick in. O's vocals
are underlaid with a
murky mix of guitar, drums, and wonderfully cheesy
organ, the type that Ray
Manzarek of the Doors would have played once he came
down off his 35
years-and-counting acid trip.
Some of the songs on CHARMS FOR LOVE AND REVENGE
("Livin' in a Fantasy",
"Under the Sky",) conjure up images of dark nightclubs,
or boutiques with
blacklights and clerks who blend so perfectly into the
background that you
never see them until you're ready to break for the door
with that bong you
just slipped under your jacket. Other tracks ("Brave New
World", "Rock &
Roll," "Z-28" ) would be perfect as background music for
an episode of The
Sopranos: cutting-edge hip, and unknown, so that the
website's bulletin board
would be flooded with inquiries the next day (Bacala
559: Anybody know the
name of the song that was playing while Meadow was
dryhumping her Korean
roommate?:-)). The problem with the CD --- bigger than
minor but less
than major --- is that occasionally, such as on "Little
Atomic Bomb," the
guys in The Mansions don't know when to shut up, and
what could have been a
decent song degenerates into the aural equivalent of
electronic armpit farts.
They aren't the only band to ever have this problem, by
any means ---Led
Zeppelin and Jane's Addiction are but two who certainly
weren't immune to
it--- and hopefully they'll grow out of it.
Despite its weaknesses, CHARMS FOR LOVE AND REVENGE is
definitely worth
picking up for its strengths. The CD, taken as a whole,
is so hip without
pretending not to be that it's hard to pass on it. With
some consistently
stronger songs, and a little more consideration of O's
vocal limitations, The
Mansions could easily, in time, become the Next Big
Thing. It might be their
time.