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Artist |
Blues Jumpers w/Haywood Gregory |
| Title |
Livin' Like a King |
| Label |
Self Released |
| Reviewer |
Joe Hartlaub |
| Rating |
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There is this AM radio station in Nashville, WLAC. It's
all talk and news
now, but it used to be this great r & b powerhouse ---
back when r & b was
substantial, and a loop was something that went around
Chicago while a sample
was a free taste of something--- that could be picked up
all over the place
at night, even up in the hinterlands of Ohio. I still
run into people, almost
all of them over 50, who remember turning on their tinny
little AM radios
after 7 p.m. and hearing all this great music night
after night. WLAC had
what seemed like one sponsor, Ernie's Record Mart, and
you could order the
stuff you heard from Ernie's since it was a cinch your
local stores, even the
black-owned ones, didn't have it.
Ernie's is long gone, and a lot of the music that they
sold, and WLAC played,
is gone too. Or so you'd think if you only listened to
the radio. But groups
like Blues Jumpers still play it, and singers like
Haywood Gregory still sing
it, and by god, when you put the two parts together you
get an explosion
that you'll happily get caught in. LIVIN' LIKE A KING,
is the Blues Jumpers'
third CD and their first with Gregory. Gregory is one of
those guys whose
vocal chops have been honed all over space and time and
who, if there was any
justice, would be a household name. He has a smooth,
effortlessly strong,
vocal delivery that works quite nicely with the
confident, competent
instrumental backing of Blues Jumpers.
Listening to their collaboration on LIVIN' LIKE A KING
is like listening to
WLAC 35 years ago, hearing different styles of r & b
across the miles. Blues
Jumpers have their thing down, from the jump swing
of "Livin' Like A King"
and "Jubilee" to the easy sway of "Hit Man" to the
bluesy "I Would be a
Sinner" and "Jim Beam." Haywood and Blues Jumpers are a
perfect fit for each
other, a vehicle that can effortlessly cruise from style
to style without
losing a particle of style, class or feeling. The
showstopper on LIVIN' LIKE
A KING is the playful sax duel at the tail end of "I
Would Be A Sinner"
between Dan Alvaro and Mike Hashim, a setoff that
doesn't go nearly long
enough and that will have you turning up the volume to
catch every last note
of it. Another standout --- on a CD full of standouts ---
is the band's
wonderfully murky take on Howlin' Wolf's "Who's Been
Talking." Just about
everyone gets plenty of room to stretch out, from
drummer Joe
Geary's Krupa-like solos to Billy Roues' explosive, but
not excessive, guitar
solos to Joe Delia's classy, and emotive, piano turns.
What is also really
impressive here is that the band somehow avoided that
tinny sound you
sometimes get off of CDs; LIVIN' LIKE A KING sounds like
pristine vinyl,
fresh out of the jacket and onto the turntable, without
the snaps and pops
and hisses but with the sweat and emotion left in.
Technology has reached the point where it is relatively
easy for a band like
Blues Jumpers to record and distribute their own
material without having to
kowtow to the opinion of a midlevel record company
executive who exchanged
his ears for some white lines on his desk. LIVIN' LIKE A
KING is the real
deal by guys who continue to carry the torch. Very
highly recommended.
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© 2001 AMZ/music-reviewer.com Robert R. Lewis
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