The band Shudder to Think may be gone, but singer/songwriter
Nathan Larson goes on and on. The former Shudder to Think
guitarist is a diversified and prolific musician, having composed
scores for numerous feature length motion pictures. Among his
credits are 1998’s “High Art”, 1999’s “Velvet Goldmine” and
2000’s Academy award-winning “Boys Don’t Cry”. Now, this
self-proclaimed ‘’former punk-rocker/postmodern yuppie” makes
his solo recording debut with the soulful and captivating Jealous God,
released on Artemis Records.
Primarily, this release explores emotional depths with a methodical
musical approach. In short, Larson creates soul music for the heart - -
speaking to those in love, those falling out of love, or those who are
simply reflecting on love’s essential nature to confound while it holds
us in its grip (“ I don’t understand this love/ I don’t understand at all”,
he sings in “Just Because A Man Expects Me To”). Larson expertly
peels away layers of artifice to arrive at an honest and true conclusion.
Even if that conclusion provides few real answers, the journey and the
exploration is valuable in itself. Each track on Jealous God adheres to
this one fine and deeply moving principle.
“One Perfect Stranger” brings on delicate-sounding horns and gentle key-
board arrangements while Larson sings with genuine feeling and careful
phrasing, contemplating the probability of greener grass on the other side.
“Just Because A Man Expects Me To” is a poppy duet which Larson sings
with his girlfriend (?), adding elements of modulated keyboarding towards
the end, while begging the question: How should we truly be if we are to be
really true?
This is the central question here, and it appears time and time again on this
disc. “What if I Fade” is reverent in its questioning, pondering the transience
of existence with nicely plied organs and emotionally pensive rendering.
With caressing strings and gospel-leanings, “We Don’t Need Anybody…”
is harmonious and liberating, while “Someone Else’s Song” takes on the
question of faithfulness in love relationships (similarly to that old Squeeze
song, “Someone Else’s Bell”).
Larson worked with some pretty ingenious producers on this recording.
Clive Langer and Alan Winstanley (known for their work with Elvis Costello,
Bush, Madness and David Bowie) provide a full and lively foundation for
Larson’s genius to flourish. His songs are to the point, poetically crafted,
and smartly written. This isn’t a heavy rocker’s delight by any stretch of the
imagination. Instead, Jealous God is poignant, joyful and immensely
appealing in a simple inviting way. It’s a real good listen for those who want
to listen to something that is simply really, really good.