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Artist |
Mammoth Volume |
| Title |
A Single Book of Songs |
| Label |
The Music Cartel |
| Reviewer |
Vinnie Apicella |
| Rating |
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My first thoughts upon hearing the first track, "To Gloria" was that
this must be some sort of lost Zeppelin recording that fell by the
wayside and done under a different name prior to the advent of that
famous moniker. I mean, we're drawing to extremes here but it's got that
big early '70s big Rock sound and crashing beat that the world renowned
were always known for and never quite duplicated with any real
integrity. and MV employs a sound that's certainly derivative of those
classic Rock types -- bare boned, rootsy, hypnotic and altogether hip. The
vibe becomes ostensibly heavier as they increase the juice on "Vipera
Berus" and the wildly swinging "K," both reminiscent of everybody's
favorite Queens' while still attending to the needs of their retro Rock
fixation recalling the likes of Nazareth or even Budgie, to a lesser
degree.
Mammoth Volume's third record follows up their critically
acclaimed self-titled debut and "Noara Dance" EP without just following
in their footsteps. The fine art of progression has taken hold and done
so in rather dexterous terms. With technical precision, rangy time
changes and plenty of groove, the Swedish rockers prove they've got the
skill to add another dimension to a craft that's otherwise looked for
aid in stagnation and treadmill-like progress. "Aum" offers cunning
evidence that they're expiration date is still well off with its flighty
instrumental patterns and sitar-based flavor while its follow up "The So
Called 4th Sect" brings home the Zeppelin reference of earlier along
with Bad Company in a Blues-based swamp and Boogie movement that
immediately slings you back some thirty years and the dawn of what was
to be a most formative period in Rock & Roll history.
Aside from the
trip through brighter times, Mammoth Volume reveals an oft-overlooked
side to a style that for all its fun and frolic, held true to a
veritable degree of serious intonation where a statement can and should
be made while the listener basks in the afterglow of a burning guitar
riff and colorful keyboard arrangement.
This is a very organic sounding
record, painted with a cavalcade of instrumental styles and cagey
rhythms-definitely a step above the usually manic-depressive norm and an
adventuresome foray to the past while exploring the future in an
intellectually dazzling brilliance.
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© 2001 AMZ/music-reviewer.com Robert R. Lewis
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