Wanna
Write for AMZ?
Wanna
Submit Music?
Wanna
Contact us?
|
 |
 |
|
Artist |
Isis |
| Title |
SGNL>05 |
| Label |
Neurot Recordings |
| Reviewer |
Vinnie Apicella |
| Rating |
 |
|
 |
|
Bordering upon aesthetically pleasing aural characteristics and
bombastic noise, this latest body of work from the mighty Isis is hard
to grasp at first. in fact mere human hands would be of little use and
as well, the recording itself, hard to imagine a creation as mechanized
as this was bore from the work of human hands. Alternatively moving
from soft subtle ambience to disturbing industrial effects which
forcibly grip and exhume every last breath of modern technology,
"SGNL>05" is an unsettling journey within natural wonders and futuristic
visions.
Neurot Recordings is the brain trust of fellow noise artist
extremists Neurosis and following suit, Isis, first developed back in
'98, has continued to progress --metamorphosis is a better word -- with each
successive movement finally culminating here. Slow moving and dark, the
haunting, sometimes daunting nature which thrusts the listener
haphazardly into this channel of cosmic forces at play, revealing
twisting, turning, usually formless pieces of sonic textures, wrapped in
a storm cloud of suddenness and sometimes a state of independent flux.
Only where track five enters the picture -- or 16 as presented on the disc,
though only five do exist, do we hear the first echoes of human
existence from the opening drum beats, slowly entering guitar chords,
all engulfed in a swirling wind-like effect which soon gives way to
simple guitar and drum, very subtle still, unaccompanied until a moaning
voice can be heard in the background. This one, "Celestial (Signal Fills
The Void)" a remix by Godflesh's Justin K. Broadrick, originally turning
up an album before of the same name, is quite refreshing, nearly upbeat
by mid-point where piano accompaniment, or something to that effect
(with so much in the way of artificial stimuli taking place there's
never total assurance) gives this one a melodious and compelling
conclusion to an interesting piece of recorded art that's as difficult
to describe as it is to explain.
|
© 2001 AMZ/music-reviewer.com Robert R. Lewis
|