[an error occurred while processing this directive]
July 2001 Vol. 5 No. 8
 
Home Home
Feature Artist Feature
New, Unclassified Misc Releases
Brand New Bands! Debuts
Regular Ol' Rock-n-Roll! Alt/Mainstream
Punk and Hard Rock Punk/Hard Rock
Headbangers Apply Here! Metal
Just Mellow Out! NewAge/Classical
R&B, Hip Hop and Rap R&B/Hip Hop/Rap
Readers' mail Country
Back issues Jazz/Blues
The Music Magazine Concerts
The Music Magazine Interviews
The Music Magazine Editorial
The Music Magazine Back Issues
The Music Magazine Win Cool Stuff!

 

Wanna Write for AMZ?

Wanna Submit Music?

Wanna Contact us?



 

 
Artist Isis
Title SGNL>05
Label Neurot Recordings
Reviewer Vinnie Apicella
Rating
Bordering upon aesthetically pleasing aural characteristics and bombastic noise, this latest body of work from the mighty Isis is hard to grasp at first. in fact mere human hands would be of little use and as well, the recording itself, hard to imagine a creation as mechanized as this was bore from the work of human hands. Alternatively moving from soft subtle ambience to disturbing industrial effects which forcibly grip and exhume every last breath of modern technology, "SGNL>05" is an unsettling journey within natural wonders and futuristic visions.

Neurot Recordings is the brain trust of fellow noise artist extremists Neurosis and following suit, Isis, first developed back in '98, has continued to progress --metamorphosis is a better word -- with each successive movement finally culminating here. Slow moving and dark, the haunting, sometimes daunting nature which thrusts the listener haphazardly into this channel of cosmic forces at play, revealing twisting, turning, usually formless pieces of sonic textures, wrapped in a storm cloud of suddenness and sometimes a state of independent flux. Only where track five enters the picture -- or 16 as presented on the disc, though only five do exist, do we hear the first echoes of human existence from the opening drum beats, slowly entering guitar chords, all engulfed in a swirling wind-like effect which soon gives way to simple guitar and drum, very subtle still, unaccompanied until a moaning voice can be heard in the background. This one, "Celestial (Signal Fills The Void)" a remix by Godflesh's Justin K. Broadrick, originally turning up an album before of the same name, is quite refreshing, nearly upbeat by mid-point where piano accompaniment, or something to that effect (with so much in the way of artificial stimuli taking place there's never total assurance) gives this one a melodious and compelling conclusion to an interesting piece of recorded art that's as difficult to describe as it is to explain.

 


© 2001 AMZ/music-reviewer.com
Robert R. Lewis


[Aaddzz Advertisement]