Great title. great cover photo. and the music's not half bad either.
Very loose-throttled from the onset with "I Am" which as best as I can
make it out is of the spiritually uplifting variety featuring
outstretched vocals, and nearly peaked guitar dynamics, heavy on the
echo, long on chorus. "Tidal," follows next and cuts down somewhat
until the chorus signified by a crashing steady drum beat and a nice
mixing job keeping all of the instrumentation, including the vocals at
bay so no one quickly outdoes the other... though seemingly all are
trying.
Diffuser, formerly known as Flu 13, which I'd love to know the
story behind, is a New York-based quartet that not only has a knack for
developing catchy album titles but generates more than their share of
catchy pop-based Rock tunes... slightly off-key, if not sometimes out of
kilter. If "Injury Loves Melody" is any indication, the record is a
combination of easy listening simple melodies placed in front of a wall
of sonic guitar feedback and excessive harmonization -- still a little too
clean cut for yer basic "Garage Rock" quality but not far off.
"Karma,"
their first single, was first heard on the Mission Impossible II
soundtrack last year and isn't even as good as the first two that
preceded it. it's not bad, but kinda leaves you hanging there waiting for
some type of resolution and, well, maybe that's the trick.
Better:
"Losers of the Year," or "Leaving With a California Tilt." Conversely,
"Tell Her This" slows things down to an almost recognizable silence
before hurling themselves straight at you with a blinding chorus where
the previously dormant power chords take full effect, bow out one time
for the return to verse, then blast their way all the way through during
the bridge.
Altogether, Diffuser's an unsettling type of band that on
the one hand possesses plenty of mainstream charm and the potential for
serious AOR consideration, but on the other, a youthful exuberance that
drives them to play with reckless abandon with little regard for playing
it safe. A pure indie-Rock start-up quality if ever there was one -- file
in rank next to early Goo Goo Dolls, Cheap Trick, and let's throw in The
Smashing Pumpkins for good measure.