I have been very lucky with the last few CD's I've
had the opportunity to
review. As you can tell from my reviews I have enjoyed
them all, and
"Homesick" by the Coby Brown Group continues that trend.
(The law of averages
will soon catch up to me though. With my luck, I'll
receive "Steam Train to
Hell -- The Boxcar Willie Concept Album" in my next
batch. If Pat Boone
guests on that one, I'll resign on the spot.)
The Coby Brown Group is a four member group with
Coby Brown providing
vocals and playing acoustic guitar, Justin Varnes
handling drums, Anthony
Perez playing bass, and Oscar Perez adding both piano
and organ. They remind
me a bit of bands like Dave Matthews Band where there is
an improvisational
style and where individual instruments don't act solely
as background
material. There are also noticeable jazz and blues
influences in some of the
songs.
From the opening swell of acoustic guitar and organ
of the first track,
"The Distance," I had a feeling that this was going to
be an album that I
liked. As it turns out, I wasn't disappointed. Coby
Brown is a very talented
guitarist but he stays focused and restrained in his
playing. His music seems
designed to showcase rather than show off his talent.
The album remains interesting after repeated play
due to the diversity of
musical styles present, sometimes with more than one
style present in the
same song. (I appreciate this because as a shower
vocalist, I mix up my
styles a lot, going from singing badly to singing
horribly.) The bouncy second
track, "Please," while being subdued, is enticing
nonetheless. It is the
first track where Coby throws in a bluesy riff with his
guitar.
On other tracks there are also splashes of various
styles. My favorite
song on the album, "Dangerous," starts off sounding like
a lazy tune in the
Chris Isaak vein, and as it begins to wind to a close,
flows into a riff that
one might expect to hear wafting out of a Beale Street
club or juke joint.
The very next track, "My Baby," has a jazz vibe working
and sounds like a
Tony Bennett club number with a healthy dose of soul.
Coby is also a talented vocalist and can shift
styles vocally as easily
as he changes styles on the guitar. For all the
diversity on the album, the
musicianship remains tight throughout and leaves me to
wonder what this band
could do given the openness of a live set and the
freedom to move beyond the
constraints of a studio track.
This album is not for those who need fully plugged
in all systems on
over-drive speaker blowing music. However, for those who
like laid back music
of the slightly more acoustic variety and their rock
with a splash of blues
and jazz, this is a quality album put out by quality
performers. I never give
five stars on a debut album because I always feel like
bands can grow and gel
more fully as a unit on subsequent albums, but I was
really impressed with
this one nonetheless. (I did once try to give five teeth
to an album, using
the logic "This one REALLY bites," but my editors told
me to stick to stars.)