AMZ - June, 1999 - Papa Vegas
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Vol 3 Number 7

June, 1999

 

       

Artist: Papa Vegas
Title: "Hello Vertigo"
Label: RCA
Reviewed By: Vinnie Apicella
Rating:
 

It's no surprise the frontman for Papa Vegas, Joel Ferguson, was intrigued to play music after seeing Kiss on television.he's wearing their boots! But in actuality, Papa Vegas, on their new album "Hello Vertigo" has little if anything to do with them, and refreshingly, that of many other popular bands we've come across lately. My first thought when "Something Wrong" first blew its way into my speakers was: "Hey, this is a cool production!" A booming drum sound echoed forth, something many have gotten away from in favor of a relatively thin and hollow sound that really captures little else but the effect of tapping a pencil on a shoebox. The ringing of the guitar notes were what hit me next and that was all I needed to stay interested for the duration. The next song "Bombshell" had an earthy feel, undeniably pop, crossing paths with a touch of Black Crowes style harmony and an on and again off again relationship with the effects pedal, and a groovin' chorus.something of a "space-jam" I'd say which pops up every now and again, going back to guitar echo and keyboarding joyride.

Song four "Mesmerized" shows off a flexibility within the band as they turn the other cheek from pop/rock and short-term funk to an ethereal nightclub atmosphere, notes still billowing in the afterglow long after the song's stopped. It'd be easy to say this is a band that incorporates several music influences and fuses it with a style all their own.nowadays, who doesn't? Papa Vegas does identity changing very well it should be noted. With the members all coming together and throwing their own various influences or preferences, shall we say, into the mix, though never foraying far away from catchy power pop and shiny choruses, the finished product comes across as a giant leap across a gravity-less surface that once held rock musicians down to one niche or another. Papa Vegas's (I don't know?) first recording for major label RCA does sound like big-time guitar-oriented pop which it should, squeaky clean and polished, as they're naturally afforded solid production, which in this case, strongly affects an impressive outcome.

 

 
 
 
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