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If ever there was a band befitting of a
tribute done of them by a world-renowned classical orchestra,
none would be pointed to more than U2. Rising from obscure surroundings
and a humble beginning, the legendary Irish rock quartet paved
the way for modern rock popularity and ultimately reached unsurpassed
levels of super-stardom by the release of only their fourth album
nearly a decade and a half ago! Their stirring compositions have
embraced generations of music listeners and now many of their
biggest hits past and present have been reinterpreted with the
same professionalism and grace that they had always presented
of themselves, by the famed Royal Philharmonic Orchestra.
The first thing we'll come across is the
disc cover booklet that features the same light into dark stage
background as that which first appeared on U2's "Rattle
& Hum," while contained within are twelve remarkable
song translations that fans and casual listeners alike will quickly
cherish. If you've never been a fan of orchestra music or aren't
the least bit familiar with it, don't be put off. The work they've
accomplished here is breathtaking and not only true to the original
sound as U2 intended, but takes that even a step deeper in meaning.
Without vocals of any sort, the songs take on a truly spiritual
life of their own, and just when you feel something might be
missing once the singing's scheduled to start, it's carefully
replaced by added instrumentation, that serves to heighten the
overall effect.
The orchestra runs the gamut of the bands
lengthy catalog of hits, making sure they've touched on those
best known for both their pop texture as for their stimulating
danceability and romanticism. Opening the "concert"
with "Pride (In the Name of Love)" first brought to
us on 84's "Unforgettable Fire," the violin's really
pick up the slack where Bono's voice once stood, and then somewhat
surprisingly, we're brought "Even Better than the Real Thing"
from "Achtung Baby." I didn't actually look at the
tracklisting before listening purposely so I could pick up on
them in surprise fashion and better gauge the consistency to
the original and was more than a bit thrown hearing the opening
to this one. Very well done indeed.
The best of the band's early modern rock
faves originally featured on 83's groundbreaking "War,"
turn up in the form of "Sunday Bloody Sunday," "New
Year's Day," and "Two Hearts Beat as One," call
forth some of the many highlights herein. But it's the later
hits at a time when they're sound both expanded and took a turn
toward maturity that are the main focus on this translation.
The orchestra carries their period of coverage
as far as U2's "Achtung Baby" where another surprise
"Who's Gonna Ride Your Wild Horses" precedes the romantically
crafted, beautifully performed "All I Want is You"
which rounds out the production. Not only has The Royal Philharmonic
Orchestra done a great justice with their portrayal of material
that deserves nothing less than perfection, they've done so with
a touch of real class and dignity. After hearing this, you'll
never look at taking an elevator cruise the same way again. |