[an error occurred while processing this directive]
April 2001 Vol. 5 No. 5
 
Home Home
Feature Artist Feature
New, Unclassified Misc Releases
Brand New Bands! Debuts
Regular Ol' Rock-n-Roll! Alt/Mainstream
Punk and Hard Rock Punk/Hard Rock
Headbangers Apply Here! Metal
Just Mellow Out! NewAge/Classical
R&B, Hip Hop and Rap R&B/Hip Hop/Rap
Readers' mail Country
Back issues Jazz/Blues
The Music Magazine Concerts
The Music Magazine Interviews
The Music Magazine Editorial
The Music Magazine Back Issues
The Music Magazine Win Cool Stuff!




Artist Zao
Title Self Titled
Label Solid State Records
Reviewer Vinnie Apicella
Rating
A most unusual creation this thing called Zao. The first taste I had of Zao's powerful, yet imprecise line-blurring production came in the form of '99s "Liberate Te Ex Inferis." I couldn't easily define it then and now... maybe even less so. In spite of interpersonal changes, their inter-connectivity has remained resoundingly resilient. On the one hand, here's a band that plays crushing Hard-Core riffs, violent Death Metal-like vocal aggression and untimely tempo stretches all of which, when you try to assemble it, borders on something slightly above holistic noise. And then there's "Self-Titled," something which remains all of the above along with some quieter moments to offset the disquieting nature of the overall picture. They'll lull you to a false sense of security in one moment, then jar you into shards the next. Take track three, "A Tool To Scream" for starters and then move carefully forward from there.

Led by the one original member that's been able to weather the storm as well as create some of the most turbulent stuff this side of the South Pacific, Zao's existence is one of an evolving, yet principled nature. "Witch Hunter" is one of those songs where if a listener didn't know better they'd think it was a totally different band -- one that goes down much more smoothly than would've otherwise been thought possible. This one's got a solid lift to it, generally straightforward and direct, simple, melodic, nearly calm, fascinating and far reaching... another angle for the band to explore.

For all their unique ambitions, Zao's a definite hybrid of musical styles, traditional and still brand new, yet cliché-bound they are not. "Self Titled" is another telling example of their diversely textured Progressive Hard-Core style fueled with complex arrangements that all at once stir confusion, convulsion and chaotic consonance.


Home | Feature | New Releases | Debuts
Alt/Mainstream | Punk/Hard Rock | Metal
New Age/Classical | Rap/Hip-Hop/R&B | Country
Jazz/Blues | Concerts | Interviews | Editorial
Search AMZ | WIN!!

© 2001 AMZ, Robert R. Lewis