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| Artist |
Zao |
| Title |
Self Titled |
| Label |
Solid State Records |
| Reviewer |
Vinnie Apicella |
| Rating |
 |
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A most unusual creation this thing called Zao. The first taste I had
of Zao's powerful, yet imprecise line-blurring production came in the
form of '99s "Liberate Te Ex Inferis." I couldn't easily define it then
and now... maybe even less so. In spite of interpersonal changes, their
inter-connectivity has remained resoundingly resilient. On the one hand,
here's a band that plays crushing Hard-Core riffs, violent Death
Metal-like vocal aggression and untimely tempo stretches all of which,
when you try to assemble it, borders on something slightly above holistic
noise. And then there's "Self-Titled," something which remains all of
the above along with some quieter moments to offset the disquieting
nature of the overall picture. They'll lull you to a false sense of
security in one moment, then jar you into shards the next. Take track
three, "A Tool To Scream" for starters and then move carefully forward
from there.
Led by the one original member that's been able to weather
the storm as well as create some of the most turbulent stuff this side of the
South Pacific, Zao's existence is one of an evolving, yet principled
nature. "Witch Hunter" is one of those songs where if a listener didn't
know better they'd think it was a totally different band -- one that
goes down much more smoothly than would've otherwise been thought
possible. This one's got a solid lift to it, generally straightforward
and direct, simple, melodic, nearly calm, fascinating and far reaching...
another angle for the band to explore.
For all their unique ambitions,
Zao's a definite hybrid of musical styles, traditional and still brand
new, yet cliché-bound they are not. "Self Titled" is another telling
example of their diversely textured Progressive Hard-Core style fueled
with complex arrangements that all at once stir confusion, convulsion
and chaotic consonance.
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