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Anyone lucky enough to have caught these
sultans of bop on a hot night (see concert review in this issue)
knows that history has been served well. Among rockabilly purists,
Rocket 88 is virtually peerless in their reverence for rock n
rolls formative years, when jump swing, country blues,
and grindin rhythm n blues began to collide
in the mid-50s.
Not only do these Rocketmen look the part
in their swank two-tones and slicked-back pomps, but also they
live for the thrill of taking the music wa-a-a-y back to its
wildest, primal origins. With Chuck Zayas climbing the case of
his upright bass and Sean Hartman smashing some boot-heeled runs
on the ivories, as guitarist Bob Patterson elicits some of Scotty
Moores biting twang and drummer Steve Platnick keeping
the meter in precision. While the bands last couple of
albums tried to capture some of their spontaneous performance
commotion, their current disc is a clinic in recreating the sounds
of the early rock classics in a sterling set of cover tunes.
So while they may have sacrificed some
of the rambunctious ramblings of their live shows, there is more
attention paid here to the distinguishing production touches
such as the combination of brush and stickwork by Platnick on
a defining version of Rocket 88, thats urgent,
yet subtle.
Or the quick trills by Patterson that launch
Carl Perkins Matchbox into the new millennium.
Or the off-kilter piano figure Hartman delivers during Louis
Jordans Whiskey Do Your Stuff, that gives just
the right amount of jazzy, Thelonious Monk-like dexterity to
the tune. Now, not only do Rocket 88 look the part, but the sound
connected to their era (covering such classics as Drinkin
Wine Spodee Odee, The Girl Cant Help It,
and Rockin At Midnight). Grab your suedes and
kick off the night in style. |