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By the time the music for these albums
was recorded (just as few scant months after the spectacle of
Woodstock), John Mayall was already christening the 15th version
of his much-lofted Bluesbreakers. Blessed with a gift for choosing
spectacular sidemen (and it didnt hurt that players like
Eric Clapton, John McVie, and Mick Taylor lined up for the positions),
Mayalls bands were a virtual proving ground for the most
important players of British rock during that decade and the
next. But after many years of performing in a quick succession
of guitar-dominated blues/rock ensembles, Mayall became lost
in the Brit-blooz bloom, feeling an urgency to turn his music
more intimate and ease back on the volume.
The idea foreshadowed the unplugged
phenomena by a couple decades, with a drummerless group, featuring
reedist John Almond, nylon-string guitarist Jon Mark, and bassist
Steve Thompson. In an unusual formation, they would accompany
Mayall's own slide guitar and harmonica in a set of politically-charged,
environmentally-aware tunes called "The Turning Point."
Mayalls sophisticated mix of country blues and bop jazz
jamming eventually became one of his best selling albums. It
was also the focus of a rare film documentary (also titled, Turning
Point), by a group of blues-loving cinematographers, that
followed his band during its brief duration. Playing only to
a few European festivals in the early 70s, the movie has
been restored recently as an artifact of its era, capturing a
unique moment in the evolution of blues rock.
The Masters is a two-disc set
featuring Mayalls heady band in concert during various
British shows on that tour, along with rehearsal and interview
segments from the movie. While nearly drenching in context, it
is interesting to hear how certain songs come together and how
a few Bluebreakers alum (including Clapton, Peter Green
and John McVie) felt about their old boss. Live at The
Marquee 1969 is a companion to the official Turning
Point, featuring a full set from the band, who were still
finding new ideas and new themes in this unique line-up. Mayalls
fans will know that these discs are indispensable documents,
catching the veteran musician in transition from blues revivalist
to blues originator. For others, its an exciting way to
discover the magic of those times. |