|
There isn't a much better way to open a
CD than with Powerman5000's hit single "When Worlds Collide,"
and the CD only gets stronger from there. GoBig! records has
compiled an impressive blend of rap and rock music for their
motocross collection, including songs from Powerman5000, Deftones,
Wu-Tang Clan, and Sevendust.
The album starts off with an appropriate
heavy tone, and continues in the same thread through five songs
from several bands that fit the motocross image of quality, exciting
entertainment that's not quite mainstreamed. Sevendust's "Denial"
and Slipknot's contribution of "Wait And Bleed" provide
a nice relief from the cookie cutter pop music that graces the
rock radio airwaves today, while at the same time not being too
extreme and hard on the ears.
However, only when the album hits track
six by a band named Innercourse does it seem to really hit its
stride. "King Of The Ring" is the type of song I would
expect to hear on an album devoted to motocross. It offers intense
drumming with energetic guitar playing and gradually crescendoes
to a higher and higher level of adrenaline. This song seems to
echo the style of Rage Against the Machine a bit, but has a certain
edge to it that Rage seems to have lost in recent efforts and
at the same time is a more pleasant listen.
>From there it loses a bit of steam
with rap contributions by Wu-Tang Clan and others, and to be
completely honest it becomes difficult to even discern the end
of one song from the beginning of the next at points. All are
competent tracks, but the lack of variety stands out and seems
to be against the spirit of motocross itself.
By far the best and most appropriate track
on the album comes from a group called Reveille. Track 13, "The
Phoenix," is the kind of intense, driving song I had expected
from the whole album, and is one of the few that makes me think
of motorcycles flying around a dirt track, tossing up mud with
exhaust fumes filling the air. It is followed by another solid
and appropriate track by Primer 55.
The final song, "Ghostown," seems
to be a somewhat poor selection to finish the album. It is a
disappointing rap song that seems to be without the focus and
drive of the previous two tracks and doesn't work well following
the emotional high. It's a solid song, but would work better
earlier in the compilation, perhaps in the middle with the other
rap songs.
Overall, this is a fabulous compilation.
It encompasses enough variety to maintain the listener's interest
for the most part, yet seems to hold a common thread throughout.
It may not be incredibly reminiscent of the motocross experience,
but it's still a solid CD that will not disappoint. |