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"And maybe some Faith would do me
some good" This is a sassy slap of feminine observation
dripping with innuendo and suggestion expressed on a canvas of
moody sly melodies. The shortcoming of most female solo artists
is they overlook the music, confident their bust lines, looks
and witty (read man-bashing) sense of lyrical prose will sell
them. Look at half the Lilith Fair lineup and then try to argue
against that point (in case you haven't been to any coffee shop
in any city -- there are absolutely no shortages of folksy acoustic
acts). The most gratifying aspect of "When the Dawn,"
is that Fiona, or her producers (whoever controls the Apple machine,
another complaint I have with this end of the musical spectrum)
wisely put together a backing band capable of accentuating the
sultry mood swings of Fiona without overshadowing.
The whole piece is an impressive range
mostly circulating around bluesy/jazzy piano arrangements, but
augmented with strings, keys and jazzy beats when the song dictates
and some distinctly original tasting movements and breakdowns.
But this is a Fiona Apple production, make no mistake. "Fast
as You Can" has an impressive warm percussive breakdown
with some of those wood block xylophone/bongo (forgive my lack
of instrument names) sounding backup -- quite unexpected (but
approvingly clever) on the first listen.
She captivates with her dreamy drawls and
feline whines with an intelligent poetic sense of lyrical delivery
and timing that holds the attention well even in the slower moments
that this type of music often finds itself repeating itself in.
"Gonna make a mistake, Gonna do it on purpose" echoes
from the one of the brattier moments in, "A Mistake"
and you can see the wry smile of the imp Fiona likes to portray
herself as.
Sassy with an intelligent hurtful streak.
White trash trampy in the most poetically beautiful sense possible. |