Looks can be deceiving. At first glance, I scoffed at the name,
notion, and these four leftovers from the last Mayberry. I'm not going on a limb
to say I'm not a huge fan of their style of music, which is definable in roughly
three categories, they being, Rock, Boogie, Jazz, and… Progressive Folk? Okay
that's four, and how's that for a title?
Moses Guest are four guys from the great state of Texas that
have been releasing records since the mid-nineties with this being their fifth,
and they put their three year recording absence to good use, with this two disc
self-titled set of nearly two hours worth of down home gentlemanly styled
Southwestern stir-fry with the occasional country kick. Workmanlike, no pun
intended Dan (producer), and with a wink to the late greats of yesterday's best
loved lesser-knowns of a slightly mainstream disadvantage, MG's the perfect
accompaniment to yer next rock glide ("Saint Mo," "Cellophane
Man," "Boogie Heartache,") desert crawl ("Phrygian
Way," "In Transit," "Waterville,"), sun drenched love
in or moonlight sway (all the rest). Bits and pieces of early ZZ, The Dead,
Steely D, and Tracy Chapman all go with a well timed shaman effect and wind
chime to add the outdoor element to the music that's an altogether smooth
flowing bareback blend that's easy to imbibe and more durable than Dave.
That said, the tunes are fairly long, adding the throwback
"Jam" element to the music, that if The "Dead" weren't
indicative enough, look up something like Disco Biscuits or Juggling Suns… or
don't and just seek out an old Dan Fogelberg double live or something and go to
town… MG's big on percussion, the Hammond, and acoustics all of which are
joyfully presented with a confident croon, able back up, and a boatload of guest
musicians for an unusual but step beyond orchestration that's not a far cry from
early Kansas once the smoke clears.
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