AMZ - January, 1999 - Tony Rich Project [an error occurred while processing this directive]
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Vol 3 Number 2

  January, 1999

 

 

       

   
Artist: Tony Rich Project
Title: "Birdseye"
Label: LaFace Records
Reviewed By: Partha Mukhopadhyay
Rating:
   

A number of things stand out on a first pass through the liner notes and music of "Birdseye," the new disc from the "Tony Rich Project." The first is the pseudo-eastern religious imagery permeating the liner notes, what with the saffron (orange) dominated color scheme, the pictures of Tony Rich sitting cross-legged on a mushroom-like structure, etc.

The second point of interest is the number of duties handled by Rich himself. The entire album was produced, written and arranged by the man, who won a Grammy for Best R&B album for his 1996 debut, "Words." Going a step further, Rich also handles a variety of instruments, from the keys, piano, drums and bass on the track "Bed," to simply doing it all by himself on the opening track and title cut, "Birdseye."

The third cool note doesn't fully express itself until the 8th (and best) track on the album, "My Stomach Hurts," with a guest appearance by Eric Clapton. Although he appears on two tracks earlier on the disc, I didn't realize his presence until the undeniably Clapton-esque solo in this song, a stripped down jam that I wouldn't be surprised to hear on my local (and mis-named) smooth jazz radio station. This song presents a man's heartache at a girlfriend's departure in some unusual, and almost mystical, terms before bringing the hurt down to a level we can all understand, a physical pain we can relate to.

The keys to Rich's success on this record are variety and subtlety. For every laid back smooth soul ballad on "Birdseye," there's a pop-infused cut, or a song that could even be played on country stations without causing too much comment. Lyrically, Rich is never heavy-handed. A love song might include lines about baking a chocolate cake, or about flying ". . .Higher than the highest kite/ Over mountains/ Where non-believers, in disguise/ Hide" (as with the first single, "Silly Man"). They may even slip in an appreciation of Halle Berry, as does "Birdseye." Rich's vocals, while not fully distinctive (yet!), contain plenty of depth and variation. You can almost hear the love for his children expressed in the song "If You're an Angel."

Another feature, shared by most of the songs, is a beautiful acoustic quality. Drum tracks are generally muted, hidden in the background, so as not to provide an easily identifiable focal point for the tracks. Electric guitars are similarly sublimated, forcing the listener to choose for themselves what to focus on in the song. And in the subtle basslines, the aesthetically pleasing acoustic guitar work, and playful-even-while-serious-lyrics, there is plenty of material to choose from.

"Tony Rich" should be around a long time, if the success of his debut album and the quality of "Birdseye" are any indication. He delivers a refreshing shift from the cookie cutter artists and bands dominating the music charts these days.

 

 
 
 
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