AMZ - January, 1999 - Dial 7 [an error occurred while processing this directive]
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Vol 3 Number 2

  January, 1999

 

 

       

 
   
Artist: Dial 7
Title: "Never Enough Time"
Label: Warner Brothers
Reviewed By: Bushman
Rating:
   

"Dial-7" hail from Orange County California, and have successfully melded a number of varying influences and directions between it’s members into the heavy, homeboy, G-punk attitude that is delivered on their Warner Bros. debut, "Never Enough Time."

The standout talents, and first impression, is the dual delivery of vocalist’s Shauny B and Mike Lord. Expertly playing off each other’s vocal lines in best rap style, as well as hitting the dual harmonies, it’s this energy that will attract the first listener. Mike Lord is the style, Shauny B is the muscle. Dynamics. In the vocals, in the music and in the structures - this is "Dial-7’s" niche that should propel them on to bigger things. Shauny B has the grit of a kid straight off the streets of South Central (having logged in extensive time in the gangsta rap scene). Mike Lord is the D’Angelo smooth tip that rounds out the edges. The end result is a sort of up-vibed rap-core soul tip that strays often from the mold.

The stoney Sunday afternoon tainted "S.J.L." shows the band's ability to get sly and smooth with the opening line "I’m in that mood/ To kick off my shoes/ Sit back, relax and smoke a fat joint/ Here’s a new point from the groovie, galactic gumshoe dude."

"Dial-7" then rips into the heavy guitar crunch in the opening of the pimp-daddy sounding "MacFly." Guitars walk around, in and out of varying styles, including some ska skips (like in the geographically and biographically penned "133"), hard metal crunches, single note progressions and chorded out riffs - whatever the mood of the song dictates, guitarist Chris Robosan can supply it. Original riffs like the snakey intro to "Faster" and "All I Want" show his ability to craft different, and dynamically interesting, guitar moods.

"Dial-7" employs a Spanish flavor on the verses of "Siete," to showcase more of their willingness to explore other avenues of sound, before they fall back into their more trademarked rapped out core sound. "One To Grow On" has almost a reggae tint. Actually, it seems "Dial-7" borrow from a lot of clear starting points, and, although this hybrid approach is fast becoming a genre within it’s own, "Dial-7" manage to offer enough dynamic and talent through the entire disk to warrant their own sound. With time, it could even morph into a completely different animal.

At present though, "Dial-7" almost overuse their ska/soul/reggae starting point, but they're so good at mixing up a song structure, it comes off more original than it really is.

There seems to be a higher spirituality associated with the band's association with the no. 7. In the lyric sheets, every once in awhile...’7777777’ - Seven 7’s just kinda of appear within the lyrics (except for one song "Siete" - only 6 ‘7’s are printed - error? or sneaky message?), with the cryptical "Money + Fame · 7777777" appearing after all the lyrics. Something to email the band about.

To compare, "Dial-7" comes off as a Sublime/Downset/Marley/RageAgainstTheMachine mixture, with two extremely talented brothers from the street fronting the group. "Dial-7" the band are good at changing their approaches to fit the songs, and give ample room for the combo vocals. Personally, I like it better when they rage (like the crazy intense verses of "Faster"). Lyrically, I like it better when they just play some happy little soul/ska/reggae riff and let Lord and Shauny B do their thing. So, for the listener, one gets a bit of everything mixed in. Thats not to say the songs are scattered sounding. There is a most definite "Dial-7" sound to each of the offerings, with the band tending to mix all these aforementioned elements into one song.

The rock/rap/ska hybrid is nothing new (and getting a bit annoying if you ask me), but "Dial-7" is the exception in my musical catalog, oOffering more than enough deviations on this standard theme to keep the listener interested. Lyrically, both in content and execution, "Dial-7" rise far above their peers. Combine the talent with their work ethic (they used to throw their own shows when they couldnt get club owners to book them), and maybe a little push from Warner Bros., "Dial-7" should be preaching their brand of soul/core (hey, I just made that one up) across radio stations everywhere in the near future. They tour all over, and I can tell you from experience the live show blows the disk away. Dial it in (Seven Times).

 

 
 
 
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